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Showing posts with label Spiritworld. Show all posts
Showing posts with label Spiritworld. Show all posts

Monday, March 31, 2025

March's Top 10 Albums





 It's time for March's top 10 albums. Staying abreast of the month's highlights might help casual readers see what they missed and check these artists out. I am not writing little blurbs on them; I am just linking the reviews. Inclusion here does not mean that these albums have been released this month, but it is a list of new or upcoming albums I have enjoyed the most. I have albums in my inbox that are not coming out til June, so I am normally way ahead of the curve in this regard. They are ranked in order of what I have listened to the most. This month, there is a wide variety from Crust Punk to Prog Rock, so you may find your new favorite among them. Here are the Top 10 albums of  March 



10-Staticlone- "Better Living Through Static Vision" 


Crust Punk 


https://abysmalhymns.blogspot.com/2025/03/staticlone-better-living-through-static.html



9-Jason Isbell -"Foxes in the Snow' 


Folk 


https://abysmalhymns.blogspot.com/2025/03/jason-isbell-foxes-in-snow.html



8-Gaahls Wyrd- " Braiding the Stories" 


Goth Metal 


https://abysmalhymns.blogspot.com/2025/03/gaahls-wyrd-braiding-stories.html



7-Spiritworld -"Helldorado" 


Thrash 


https://abysmalhymns.blogspot.com/2025/03/spiritworld-helldorado.html



6-Ancient Death- "Ego Dissolution" 


Progressive Death Metal 


https://abysmalhymns.blogspot.com/2025/03/ancient-death-ego-dissolution.html


5-Idle Heirs - "Life is Violence" 


Post-hardcore 


https://abysmalhymns.blogspot.com/2025/03/idle-heirs-life-is-violence.html


4-Messa - "the Spin"

 

Prog Rock 


https://abysmalhymns.blogspot.com/2025/03/messa-spin.html


3- Kazea- "I, Ancestral" 


Sludge


https://abysmalhymns.blogspot.com/2025/03/kazea-i-ancestral.html


2-Deafheaven _ "Lonely People With Power" 


Black Gaze 


https://abysmalhymns.blogspot.com/2025/03/deafheaven-lonely-people-with-power.html


 1-Spiritbox-"Tsunami Sea" 


Progressive Metal 


https://abysmalhymns.blogspot.com/2025/03/spiritbox-tsunami-sea.html



pst145

Saturday, March 1, 2025

Spiritworld : "Helldorado"

 




Despite being called "Deathwestern" the band's 2022 only used country & western music as a window dressing to perhaps bookend the album with. This time around it's blended to create a more Clutch-like swagger. This leaves the more metallic meat of the songs to groove with a darker energy. You are halfway into the opening track before it kicks you with the same spiteful hard-core punch the [previous album carried. By the second song they are galloping back in a more Slayer-inspired direction, but with big 90s hardcore gang vocal choruses. I was halfway into "Western Stars and the Apocalypse" before I realized it was no longer the previous song. They are wielding similar dynamics on this one, with barked vocals and grooving thrash riffs. 

"Birdsong of Death" breaks things up by going into a more country sound. The vocals feel like  90s Mighty Mighty Bosstones, on this as is not just yelling, but not singing either. "Prayer Lips' finds things even more introspective and melodic. This also creates a 90s feel for my ears, as the 90s were a more experimental time for music, so something like a sax solo in this song would have made perfect sense. I welcome experimentation, but think the powerful riffs driving a song like "Waiting on the Reaper" play more to the band's strengths As catchy riffs are their stock and trade. There is a more dynamic ebb and flow that brings Biohazard to mind.  A more Metallica-like riff opens 'Oblivion" The chanted hook for the chorus works well.  

"Cleansing" is more of an interlude. "Stigmata Scar" chugs to life with more authority. The vocals continue to root things in hardcore against the thrashy riffing. He declares here the only thing he has left is fucking hate, which seems to take a pretty decent pulse of things. "Annihilism" shows more commitment to Country Music at least from their perspective. This might be their 3rd album but the country thing still feels like a work in progress, they have just made more progress on it this time around. I'll give this one a 9.5, which is what their last album got, they are great riff writers, and know that cool riffs alone do not make a song. They are not making the same album twice, and take it in a more hybrid crossover direction. More grooving than DRI and more hard-core than "Join the Army" era Suicidal Tendencies, yet fans of both bands should appreciate this. This drops March 21st on Century Media. 



pst94

Saturday, December 17, 2022

the Top 10 Extreme Metal Albums of 2022



This list encompasses anything heavy that does not fit neatly into a sub-genre. Some lists were overcrowded and not a good fit so those bands who are just about sonic hedonism are here to haunt you. Much like in years past I sort through the genre lists before making the overall top ten of the year list. The fact these artists made it on the list speaks to how great these albums are, so it's not a slight that the number 8 album is above the 9th album, there is something that just gives it an edge that makes me want to listen to it more. After all we can try to look cool and pick the hippest bands for a list, but at the end of the day what makes an album the best is that it makes you want more, you look forward to listening to it again. I do hope you can find your next favorite on this list and have included links to reviews of these albums if you want to check out audio on these guys. Anyways here are the top 10 Extreme metal albums of 2022


10-Ruin- "Where Death is Spread Out Across the Sky" 

This band crosses many sub-genres. all of their shades of heavy are nasty. They do however still write songs, and I find their album fun to listen to. Guttural grows sometimes rise into more agonized spews. The pervading sense is dread. They do speed up into something more like death metal, though the overall vibe of the album trudges a more death doom road. 

Abysmal Hymns: November is Doom- Ruin- "Where Death is Spread Out Across the Sky"





9-Fit for an autopsy-"Oh, What the Future Holds" 

It starts off falling somewhere between what you might expect from both death metal and metal core then as this album progresses, they begin to introduce new sounds and the adventure really begins. This brings out the best of their songwriting skills and elevates them above the status quo. 

 Abysmal Hymns: Fit For an Autopsy : "Oh What the Future Holds"






8-False Gods- "Neurotopia" 

This sludge doom band from New York is an excellent example of why I so often bring up a band's influences, as they tend to form the sum of their parts, these guys have great sound it is suitable dense and dark in all the right places. There is a slight crusty edge at time, yet they make it apparent how large a role hard core has also played on their musical development.  This is heard often in the vocals from  the almost Fugazi like manner they accent things to the punchy crustiness coating the attitude the vocals are accent with earlier in the album which remind me of Kylesa.  Being a huge fan of their 2020 album, I knew these guys were capable and it cannot be said that they are delivering more of the same. Instead, they are attacking you from a different angle that I appreciate.


Abysmal Hymns: November is Doom - False Gods :"Neurotopia"








7-Hegemone- "Voyance"

This Polish band returns with another dense slab of nasty sonics. Their third full length, and you may remember us really digging their 2018 album "We Disappear". They continue to balance really heavy almost to the point of being abrasive sludge with a more atmospheric drone. They go from getting really heavy then drifting off into a gray shadow filled ocean.  I think they are more convincing as a sludge band than a black metal band, and do not blend the sounds as organically as say Withered. They do stylistically fall between many of the cracks, but no matter how you want to label them


Abysmal Hymns: Hegemone : " Voyance" Review and Full Album Stream.

 


6-Celeste-" Assassine​(​s)"


If you miss the days when Deafheaven was heavy, this French band has you covered, they are darker and nastier than Deafheaven ever dared. They are not another black gaze band as they employ an intense militant hammering, they aim upon your ears with a machine-like precision that has almost more in common with Meshuggah., using atmosphere to breaks up the relentless weaponized grooves. The midrange vocals have more a bark to them than the scathing howls of black metal. Not unlike how hard-core screaming is used to a more percussive effect


Abysmal Hymns: Black Metal History Month- Celeste :" Assassine​(​s)"





5-Hexis -"Aeturnum" 


Not only are they Denmark's heaviest band, but perhaps Northern Europe's heaviest band, though Sweden has some contenders. These guys are not just black metal, but also combined hard core and grind core into something dark and sonically punishing. They allow you to breathe, hitting you with a full-frontal assault of scathing screaming and weighty blasts. Black metal is aggressive and fast, however that does not make it the heaviest genre. It is the deliberate sonic weight put behind something that makes it heavy. The difference between being hit by a small guy who is fast and big guy who has muscle to put behind his punch. 


Abysmal Hymns: Hexis : "Aeturnum"




4-Tuscoma- "Gu-cci" 

When you aspire to transcend sub-genres, you might not become the next Neurosis or Deafheaven, but might put out an album better than most of your peers in the sub-genre you do end up falling into. Such is the tale of this band from New Zealand. They have made one of the more unique death metal albums that transcends They most effective when hitting a dark and foreboding balance of atmosphere and menace. They get caught up in the heaviness as they are doing something different in more respects than not, along with biting lyrics that are a great social commentary. 


Abysmal Hymns: Death is June - Tuscoma : " Gu-cci"

 

3-Spiritworld - "Deathwestern" 


Misguided journalism tried to place the emphasis on the western theme, but nothing could be further from the truth this album is possessed by a thrashing metallic hard core feel than what I thought be melding with this more western themed mood originally painted. The riffs hit you with gut punch and the vocals are command with purpose, so it works for me. Most to the albums on the extreme list have been in the sphere of grind core so for a thrash band to make it speaks to how fucking heavy this album is.  


Abysmal Hymns: Spiritworld - "Deathwestern"








2-Candy- "Heaven is Here" 

When it comes to extreme music most of it came from some early crossroads where death metal met hard core. The bands Relapse Records debut finds the noise ridden grind core being refined into a dense and perhaps even more punishing monster while fully aware that they have a job to write songs. The vocals are the most hard-core thing about this band. They are less spastic than Napalm Death. When they lock into a grinding chug the results are very powerful. This album is fucking intense.  


Abysmal Hymns: Candy : "Heaven is Here"


 





1-Wormrot -"Hiss" 


Grind core is typically not my thing, though in saying that there are a few bands who incorporate grind core into their sound that I love, like Portrayal of Guilt and Nails. Singapore's Wormrot is one of the more polished acts in the genre, they also prove themselves to be one of the best songwriters as well. A great deal of credit goes to the vocals which use a chaotic variety of vocal colors. The penchant for hooky thrash influenced riffing plays hand in hand with this as well to create an album that is not only intense but worth countless listens.  

Abysmal Hymns: Wormrot : "Hiss"


Sunday, November 27, 2022

Spiritworld - "Deathwestern"

 This is not what I was expecting going into this album. When it kicks in there is more of a thrashing metallic hard core feel than what I thought be melding with this more western themed mood originally painted. The riffs hit you with gut punch and the vocals are command with purpose, so it works for me. "Relic of Damnation" proves that the Slayer influence on the opening track was not by chance, it is something that drives the second song as well. The hyper aggression of the hard core running in the veins of this focuses the intent, more than if this was just another retro thrash revival. 

The drummer is totally out of their mind they have to play to keep up with this kind of thing. The blend of the two styles is cool in that it balances out the hard-core side of the band by keeping it from leaning too far in the punk direction where the groove might feel rushed and stuff, and it does let things get too metal and pull-out flash and guitar solos at every turn. The most important thing is how fucking heavy it is while still being very song focused which is a rarity in this day and age. At first "Ulcer " feels hard core then they flip the accent on the chorus. The western elements teased at the beginning have not resurfaced midway into the album, but I almost did not think about it cause these riffs are so fucking mean. I dig their sue of samples, gives it a more 90s feel. They even touch on break downs but do them in a more metal manner.

There is a slight return to the melodic western sounds of earlier going into "the Heretic Butcher". The thrash is dialed up a little higher on this one. "Moonlight Torture" is the first song where the momentum ebbs and it feels more like a formula they are working off of. Even their formula is better than most. The minute and a half song after this has a better riff. "Lujuria Satanica" works off a similar aggression. The same can also be said for the last song as well, they come at you once again full speed and head on. The album does not run out of gas but the last three songs while effective might not hit me as hard since it's not the caboose that kills you when a train hits you.  I will give this a 9.5, once of the stronger albums of it's kind.