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Showing posts with label lair of the Minotaur. Show all posts
Showing posts with label lair of the Minotaur. Show all posts

Monday, June 29, 2026

Top 10 Extreme Metal Albums of 2026 ...so far







Extreme Metal is even more important as the Doomsday Clock races; time speeds up with 2026 at its midpoint. Extreme metal is anything too heavy for the other sub-genres, with an emphasis on crust and grind, but we also have a few blackened bands who are too heavy for the normal black metal list.   These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they are really going to need to bring it to compete with the top five albums on this list. No matter the genre,  darkness trumps speed when it comes to heaviness, so these bands reflect that sentiment. These albums provide a fitting soundtrack to the demise of the US.  I have included links to full reviews if you want to check these out, and with all that said, here are the top 10 Extreme Metal albums of 2026 so far. 



10-Nunslaughter-"Satanic Chaos Legions"

This American band is a staple of the extreme metal scene; they are an aggressive yet dynamic blend of black metal and death metal. The vocal rasps are really the only black metal element. As far as the satanic elements, they are pretty much just lyrical. I am not sensing they are darker than any other death metal band of this type, with Deicide and Archgoat being the unholy standards here. A song like "Jesus Fucking Dies" is fun, but on the thrash side of death metal. There is some tremolo-picked guitar in places that blur the lines a little here and there. They are very good at placing the vocals in the right places for maximum effect, as they are spit out as an accent to the faster guitar flowing under what they do.

https://abysmalhymns.blogspot.com/2026/06/death-is-june-nunslaughter-satanic.html




9-Reverse-SUFFER & REMEMBER" 

This Los Angeles-based noise punk band gets things off to an interesting start with a dissonant clamour that still carries a great deal of atmosphere even amid its hazy attack. It's an intersting approach to crust punk that goes toward the blasting end ofthe spectrum 

https://abysmalhymns.blogspot.com/2026/06/recvrse-suffer-remember.html


 



8-Harms-"Rebirth of the Cold"

This band from Finland plays a hyper-aggressive blend of metal and hardcore that is in-your-face when it wants to be, without forsaking melody. When they kick back into things after wandering into more atmospheric places, they kick back in with full-on anthemic gang vocals. Then you begin to hear the touches of black metal perhaps in their DNA, jsut from the geography. Granted, there is also a great deal of goth metal in Finland, but darker music seems to be the vibe. It is more aggressive in a hardcore sense than a death metal one, so perhaps atmospheric blackened hardcore might be your best category for these guys, which at this point, we are making this shit up as we go.


https://abysmalhymns.blogspot.com/2026/02/black-metal-history-month-harms-rebirth.html





7-Anti-Sapien-"At The Mercy Of The Merciless"


Brooklyn-based ANTI-SAPIEN drops some filthy, crusty, death metal that carries the aggression of Deicide in its angry churn forward. They are capable of shredding when it is called for, but prefer staying locked into the locomotive charge. The kind of hyper-aggression that Nails blurs the genre lines with. When they slow down and lock into a chug, the results are powerful

 

https://abysmalhymns.blogspot.com/2026/01/anti-sapien-at-mercy-of-merciless.html





6- World Peace- "For No Man Shall See Me and Live"

What this San Francisco-based band does it pretty interesting as it has groove to it.  But the songs stay true to grindcore and are clocking in at 30 seconds apiece, meaning they lock into these, and then it is over. . If you like your grindcore short and to the point, then this album is worth your time. 


https://abysmalhymns.blogspot.com/2026/06/world-peace-for-no-man-shall-see-me-and.html





5-Fistula-"Galaxies of Disappointment"


The joking is over on the opening track to Fistula's new album. They go for the throat with the momentum of death metal behind them. The barrage is a powerful sonic force that goes for heft over some of the songwriting smarts they have shown in the past, but it works for what it is. They continue to flex their raw sonic power


https://abysmalhymns.blogspot.com/2026/03/fistula-galaxies-of-disappointment.html








4-Balmora-"These Graven Halls"


Here is another album that blurs the lines between metalcore and death metal. I suspect these kinds of kids feel cooler by having a label for themselves that is not just death metal, since that has become, in some circles, like thinking of it as dad rock


https://abysmalhymns.blogspot.com/2026/06/death-is-june-balmora-these-graven-halls.html




3-Lair of the Minotaur-"I Hail I "

These bruisers are back with more hardcore grit to their attack. The vocals come across as being less growled and more of a burly command. The grooves are as dense as you might want them. There is almost a sludge weight. The aggression is not a full-speed-ahead charge but a massive grind of distraction chugged with malicious intent. 


https://abysmalhymns.blogspot.com/2026/03/lair-of-minotaur-i-hail-i.html







2-No/Mas -"No Peace"

On the more punk side of grind-core, NO/MAS are angry as fuck. They have a dialed-in guitar sound rather than just a raw outburst, and just because they play grind-core does not mean they have not refined their attack on their instruments. At times, even grooves slide into the riffs, which is an ear for detail,l considering that these songs clock in at two minutes more often than not. They are certainly influenced by Slayer in how some of the riffs are nuanced. 


https://abysmalhymns.blogspot.com/2026/01/nomas-no-peace.html






1-Portrayal of Guilt ="...Beginning of the End..."


 "We Are Always Alone" stands as a masterpiece against which this band's work is to be measured. Up to this point, they have not met that head-on, but played around with more extreme and experimental sounds at various genre crossroads in heavy music. Grindcore being one of the more frequent ones, hardcore is another more notable sonic flavor they have painted their compositions with. This album finds them expanding their arsenal to include a wider range of sounds, while tightening the songwriting to craft songs that are digestible for broader metal audiences without compromising their unsettling, confrontational style. 




pst280

Wednesday, April 1, 2026

March's Top 10 Albums




March is now in the rearview, so let's get you abreast of new releases. This might help you, casual readers, with what you might have missed.  I am not doing little blurbs on them, just linking the reviews. This helps me organize my lists for the end of the year by listing the album's genre. This does not mean that these albums have been released this month, but it is a list of new or upcoming albums I have enjoyed the most. I have albums in my in-box that are not coming out til June, so I am normally way ahead of the curve in this regard. They are ranked in order of what I have listened to the most. This month, there is a wide variety from Sudge to pop to post-punk, so perhaps you will find your new favorite among them. Here are the Top 10 albums for March of 2026.


10-Dalek- "Brilliance of a Falling Moon." 

Hip-hop

https://abysmalhymns.blogspot.com/2026/03/dalek-brilliance-of-falling-moon.html


9-Fotocrime- "Security" 


Post-punk


https://abysmalhymns.blogspot.com/2026/03/fotocrime-security.html


8-Lair of the Minotaur- "I Hail I." 


Hardcore- Sludge


https://abysmalhymns.blogspot.com/2026/03/lair-of-minotaur-i-hail-i.html


7-Starbenders - 'The Beast Goes On" 


new-wave


https://abysmalhymns.blogspot.com/2026/03/starbenders-beast-goes-on.html


6-Traitrs-"Possessor" 


https://abysmalhymns.blogspot.com/2026/03/traitrs-possessor.html


5-Poison Ruin- "Hymns From the Hills" 


Punk


https://abysmalhymns.blogspot.com/2026/03/poison-ruin-hymns-from-hills.html


4-Slayyyter - "the Worst Girl in America." 


Pop


https://abysmalhymns.blogspot.com/2026/03/slayyyter-worst-girl-in-america.html


3-Morrissey -"Make Up Is a Lie." 


Indie- Rock


https://abysmalhymns.blogspot.com/2026/03/morrissey-make-up-is-lie.html


2-The Twilight Sad- It's the Long Goodbye." 


Post-punk


https://abysmalhymns.blogspot.com/2026/02/the-twilight-sad-its-long-goodbye.html


1--Neurosis- "An Undying Love For a Burning World."


Sludge 


https://abysmalhymns.blogspot.com/2026/03/neurosis-undying-love-for-burning-world.html


pst124

Tuesday, March 31, 2026

Lair of the Minotaur : " I Hail I"




These bruisers are back with more hardcore grit to their attack. The vocals come across as being less growled and more of a burly command. The grooves are as dense as you might want them. There is almost a sludge weight. The aggression is not a full-speed-ahead charge but a massive grind of distraction chugged with malicious intent.  Things are more melodic on "Enthroned in Violence," which brings the Melvins to mind a little. "Fucked Inside Out" finds the brutality moving more smoothly than expected. 

Sure, "Deepest Hell" moves in a rapid-fire, punishing manner that reminds me more of their older work; the growth they showed me on the first four songs spoiled me and raised my expectations."Saturnus Reigns" is more hammering but slowed down enough to take it all in. It continues to groove like a sludged-out version of hardcore. 

"Prowler Twin Sister"  chugs with headbanging authority, but things continue to move in the same direction. The vocals are more barked in some places.  I knew they were going to do a cover of Ethel Cain's "Family Tree."  The original is more of an atmospheric intro that she does sing over, and the lyrics are pretty muh the only thing that is the same. Not sure where the inspiration for that riff even came from. 'Vulture Worship' sounds cool, but is more of an interlude. Things slow down to a more ominous sludge mood on the last song. I will give this one a 9 and see how it grows on me it is a excellent return to form, while still showing growth andd heavy as all hell. 



pst123

Saturday, October 14, 2017

I Klatus :' Nagual Sun"



The new album from this Chicago band  opens with the hypnotic throb that I miss from Jesu. It does gather speed and builds into more of a sludged out chug. The bulk of the vocals in a throaty bellow though so robotically effects dripping sung vocals come it.  The bass player and drummer have run the gambit in terms of bands  having played in acts like Bury the Machines, Yakuza, Lair of the Minotaur, Serpent Crown and Earthen Grave. The first song builds up into a blast beat that oddly has little to do with black metal. Feedback flourishes as their sound is very blown out. I can imagine they are  loud as hell live.  They once again indulge atmosphere by taking their time to kick into "Serpent Cults". Its more up tempo than the first song and places them more firmly as a sludge band, with slight crusty tendencies.

The lines between doom and sludge sometimes cross like at the very beginning of "Sorcerer's Gaze" where I can hear some Celtic Frost influence. When he tries to sing going into the chorus it reminds me of Chronos. There is a break that sounds like they are going into anther song then then come back playing something closer to black metal. I am not sure the point of this.It's not bad , it just doesn't compute in my head as to their motives in terms of songwriting. They ebb and flow back from a monolithic lumber to twinkling atmosphere on "Moment of Devastation" . One things I like about this album is the harshness is balanced out by the many colors of ambiance they have painted the corners of this record with. This steers it towards that sweet spot I want where it is heavy sonically as it is metal. Many of these sweeping sounds grace "the Alivist" .

There is a denser heaviness to the mid tempo rumble of "Jaws of the Shark". The vocals take a lower death metal growl. After an interlude of noise they ease into the more "Planet Caravan" like intro of "Final Communion". It doesn't stay dreamy long enough for this to be considered a sludge power ballad. It does ebb back down after the first heavier chorus section. I'll give this album an 8.5, if you are into sludge but want something different than Neurosis worship then this is an album well worth the investment of your time to check out.