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Showing posts with label Chalk Hands. Show all posts
Showing posts with label Chalk Hands. Show all posts

Wednesday, June 17, 2026

The Top 10 Hardcore/ Punk Albums of 2026 ...so far




Hard-core is being lumped in here with punk, and its adjacent genres like noise rock and screamo. punk.   These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they are really going to need to bring it to compete with the top five albums on this list. No matter the genre,  darkness trumps speed when it comes to heavy, so these bands reflect that sentiment. These albums provide a fitting soundtrack to the demise of the US.  I have included links to full reviews if you want to check these out, and with all that said, here are the Top 10 punk  / hardcore albums of 2026 so far. 




10- The Crosses -"Outlier"

Dan from Die Kruezen is back with this band, which started as a way to resurrect the songs of his classic band, before they began looking forward and making their own music. His voice has changed with age. The timbre is different from what it was with Die Kreuzen, but the spirit is there. It is more of an obvious scowl than what he was doing back in the day. Granted, he never sang the same on the Die Kruezen albums as he was allowing his voice to evolve with each album. This album helps to fill the void his old band left. https://abysmalhymns.blogspot.com/2026/03/the-crosses-outlier.html

 



9-Gros Enfant Mort -"Le Sang Des Pierres" 


As genres shift and evolve over the years, it is easy to forget their origins. This French  band Gros surprised me as they hey remembered that screamo originated from emo, which was the more melodic and emotive version of hardcore that could be attributed to bands like Rites of Spring and Sunny Day Real Estate. This album opens more in that vein, though they build things into the explosive intensity of hardcore. 


https://abysmalhymns.blogspot.com/2026/01/gros-enfant-mort-le-sang-des-pierres.html

 



8-Chalk Hands-" The Line That Shapes the Coast of Us"

This British screamo band brings a great deal of sonic space and dynamics to their explosive gnashing of teeth. It takes you back to 1999, when this sort of thing was evolving into the force that would take over Myspace. These guys are able to not just scream but also emote. This is a reminder of how these bands carried shoegaze into the scene we have today. Bands like Mineral can be heard in what they are doing here.This hit all the heartstrings it needed to and kept the flame alive

 





7-Oakwood- "Blurred Away"


This Texas band is well-versed in late-90s emo and brings it in a powerfully dynamic and moving manner. This was a time when melancholic introspection was more blue-collar than dressed in marketed darkness. It was steeped in suburban punk angst with no political motivation. All but one song clocks in at under thirty minutes, proving they follow a less-is-more punk formula while still allowing the guitar to linger in jangling melody. They nailed this era I have fond memories of, but still wrote songs that give them their own identity for 2026


https://abysmalhymns.blogspot.com/2026/06/oakwood-blurred-away.html



 




6-Truck Violence-"The Weathervane is my Body"

These Canadian hard-core kids are venturing further into noiserock in their sophomore release, which finds a more angular dissonance steering the songs. The vocals are monaded and howled, as they steer the boozy sonics with a precise ugliness to create something beautiful. Some moments might not be as overtly metal as where a band like Chatpile, who crosses over into sludge, goes, but could have a similar appeal.


https://abysmalhymns.blogspot.com/2026/05/truck-violence-weathervane-is-my-body.html



 



5-Terror-"Still Suffer"


This is the 10th album from this long-running hardcore band whose origins trace back to Buried Alive from the late 90s. They deliver what you expect from this brand of hardcore. They are in your face and more on the metallic side, which makes plenty of sense considering their origins and influences. Even with the metallic elements the guitar riffs embrace, the dominant presence of gang vocals and attitude of the lead vocal are clearly hardcore, in fact, more hardcore than most bands these days.


https://abysmalhymns.blogspot.com/2026/04/terror-still-suffer.html

 




4-Final Gasp-"New Day Symptoms"


 liked their last album a great deal, but was unsure why it was being called death rock when it was old school metallic hardcore that owed more to Die Kreuzen. Sure, there is more of a hint of old AFI on this album. It's the more aggressive elements that have been refined with some more outright metal playing captured here. It is easy to get swept away in the album's momentum.


https://abysmalhymns.blogspot.com/2026/02/final-gasp-new-day-symptoms.html







3-Converge -" Love is Not Enough"


I've seen some people say this album is just as chaotic as their other work, and I am here to tell you it's not, and that is a sign of growth. It feels more like "You Fail Me" if you had to compare this to other albums. The biggest improvements lie in the mature songwriting and stellar production. 


https://abysmalhymns.blogspot.com/2026/02/converge-love-is-not-enough.html


 




2-Poison Ruin-"Hymns From the Hills"


Philly punks Poison Run continue to improve with each album. This one finds them settling into some of their catchiest and most melodic songwriting yet. This does not make them any less punk; in fact, it connects them more closely to the classic punk of the late 70s. The vocals show the most improvement. Despite theming the songs around the Middle Ages, there is an almsot more Western feel. One of the best punk albums I've heard in some time. 



https://abysmalhymns.blogspot.com/2026/03/poison-ruin-hymns-from-hills.html


 




1-Converge - the Hum of Hurt


These guys have been working overtime as it's their second album of the year. The buzz made it seem like this was going to be their noise rock albun, but that was not the case. In some ways in picks up where they left off on  "Love is Not Enough", but Jacobs' vocals are less snarled and chaotic, giving the songs a greater sense of deliberate purpose that finds it beating out the heavier nature of their previous release. 


https://abysmalhymns.blogspot.com/2026/06/converge-hum-of-hurt.html


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Wednesday, June 10, 2026

Chalk Hands : " the Line That Shapes the Coast of Us"

 





This British screamo band brings a great deal of sonic space and dynamics to their explosive gnashing of teeth. It takes you back to 1999, when this sort of thing was evolving into the force that would take over Myspace. These guys are able to not just scream but also emote. This is a reminder of how these bands carried shoegaze into the scene we have today. Bands like Mineral can be heard in what they are doing here. The second song hits with a more angular chaos, until midway in then the guitar opens up the room to bring the gutwrenching to come with. I have always had a soft spot for when screaming is a counterbalance to clean indie rock guitar. 

The shimmering movement of "Day Glow" makes it one of the album's best songs. The vocals just scream alongside it, but provide the needed accents."Bite Marks" feels like the climax of the previous song; it flows well and is dynamic, but doesn't grab me the same. The strum brought to "Breaking Waves" makes me think of Hotwatermusic before it gets more explosive. "A Comfort You Borrow" completes their thought in under two minutes, which is impressive how much they cram in. 

There are interesting production choices in the mix of this album that stay true to the era it pays homage to. There are a few melancholic sonic moments in the album, but I would not say it really wanders into anything dark. "A Sure Fire Way to Disappear" offers more introspection and features some Cure-like guitar passages. They sometimes remind me of Thursday in how they bring down the heavier passages while still tempering them with melody on songs like "Rewired Eyes". Though their vocalist does not have the same range and there are no attempts at actually singing, which might have played to their benefit.

If this came out in the late 90s, early 2000s, I would not stop listening to it. Now it does spark some nostalgia, but it does not move me as much."Your Skin is Gold" is one of the album's best songs, as it hooks you in a little more, though not straying greatly from the sonic palette this have been pulling from thus far. The last song is more of an outro, and I would have liked to have heard some of those elements worked into the other songs to bring more sonic colors. Overall, this hit all the heartstrings it needed to and kept the flame alive. I will give it a 9.5.






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