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Showing posts with label corpseflower records. Show all posts
Showing posts with label corpseflower records. Show all posts

Saturday, November 23, 2019

November Doom- Den : "Iron Desert"








Riding the line of sludge and doom, these guys throw some pretty creative stuff at you, despite the vocals being the kind of coarse bark that more typifies sludge there is enough darkness to their lumber to belong here, though more punk sensibilities to their sound than what you are normally going to find in any kind of doom . The do blast in with varied tempos , but it returns to the lava flow of their normal burning pulse. The verse to the second song is darker and more doomy with the dynamic shift that follows more of an explosive noise rock thing.  Here it's doom colored by more of a Melvins influence. There is more of a dynamic shift here, I like this one better than the opener which was till a pretty solid song.

"Svalbard' is slower and resonates off of the fuzz with an almost analog synth vibe. The vocals are more growled here, but have begun to get a little stale for my tastes as they are a one trick pony.
"Taste of Blood' has more of a back woods boogie set against the more Black Sabbath like pacing. The vocals here are howled more like Black Fl;ag era Rollins. "Bones & Flies' is a great deal darker. It almost has more of a Neurosis feel. The spooky atmospherics are cool as they add a nice dynamic to the album as a whole. The title track that closes the album, has the more coarse husky vocal. The bass is booming a fuzzed out tot he max. I like the tempo they are pounding this one out at as it has a great deal of groove. I begin hearing the hints of the more Rollins like vocal again. The song takes a really unexpected turn somewhere between kraut rock, dungeon synth and tribal drumming its way into more apocalyptic sludge. There is plenty of noise to add angular abrasion.


I really like the sense of dynamics and the more melodic elements these guys use. They are much better than avaerage song writers. My only complaint is the vocals .The get old quick. My hope for them is in the future they employ more vocal colors as it would take their songwriting to the next level I will give this album an 8. This album is being released on Corpseflower Records.      

Thursday, January 3, 2019

Great Falls : "A Sense of Rest"





Here is the  last album of 2018 I am reviewing. These guys are former members of Kiss it Goodbye and Jesu, so despite their past work things are not as experimental as you might think. Sometimes the simplest description is the best. While p/r companies and record labels might like to dress things up with whatever adjectives fit the current bang wagons this band out of Seattle is a dark hard core band. They do have metallic Converge like leanings if we are thinking about "Jane Doe " era. Angular jerking of riffs that are filled with resent. "Not For Sale Bodies" has a more oppressive pound to it's deliberate lumber. It also begins to introduce more atmosphere. "

Kettle Logic" blows by in an angry blur and it's not until "We Speak in Lower Case" that things begin to get interesting as there is a cleaner guitar tone and the vocals are not as screamed. Not sung, but heading in that direction. This song proves to be the most dynamic so far . Not many hard core bands have almost 15 minute songs , but they make the most of it."Thousands Every Hour" does have the driving bass and the noise around it's rough edges that brings to mind the Amp Rep bands, but they are still more hard core than not. They continue down a smoother shadowy brand of hard core balancing out the blitz of bombast with atmosphere. It is when they are in this zone that they are most effective and find a sound they can call their own. "I Go to Glory" pretty much just works off all the elements that have been in place while adding a little more of a hard core punch here and there.

 "Scratched Off the Canvas" has a heavier almost sludge like feel to it. It might be the most metallic song on the album. The vocals are more on the side of a punk shout than scream. There is still an angular cadence to what they do and squealing feedback which has become their trademark. This is kinda anti climatic as there is a great deal of build and not much in the way of pay off. Overall this album is pretty good, I like the bleak mood it creates. I'll give this an 8.5 , Corpseflower Records is releasing this in the US.