darker shades of metal, hymns of goth and post-punk ...all for the worship of darkness
Showing posts with label Last Glances at 2014. Show all posts
Showing posts with label Last Glances at 2014. Show all posts
Friday, January 2, 2015
Last Glances At 2014- White Lung: "Deep Fantasy"
This is not a metal album, but is the one non-metal album that seems to be on most metal heads end of the year lists. I got this band confused with White Hills during most of 2014. As well as the band that had lung in their name who I saw open up from Nothing.The metal element slowly turns into something more like a more energetic Hole album. In fact by the second song it's half way into a more punk rock mode.Courtney Love's slur has to have been an influence on this band's singer no matter if she claims Bikini Kill or not. The frantic guitar attack is often spastic more often than not. The opener is the most metal song on the album. These guys and dolls tend to whip through the songs with a rabid recklessness common in punk.
The vocal chants are often catchy. It's easy to see why people like this album, but less obvious to discern if this album is worth the hype. The first real Hole-ism I hear is on "Snake Jaw". The guitar is smarter and more aggressive. The momentum is carried into "Face Down", despite the creative spark losing a little steam. The song begin to sound a like at this point. The vocal phrasing is the only saving grace at this point as every thing begins to fall dynamically flat since the only play at one speed, unless they are trying to play even faster then they reach that velocity.This is most effective on "I Believe You". They do manage to shift into a post- punk intro at the beginning of "Wrong Star", until defaulting back into the speedy grunged out punk that dominates this album. By "Lucky One" all the songs are sounding the same and running together.
'Lucky One" sort of sets it's self apart with punchier accents. The guitar is a little more pounding on "Lucky One" as well. They close out the album with a more effected guitar sound that is somewhat more sonic and melodic on the song "In Your Home". The melody has a little more guts to it as well. The fact singer Mish Way isn't bad too look at doesn't hurt this Canadian band's buzz. When it comes to my iPod it really doesn't care how someone looks, it either has space for good songs or it doesn't have space and needs to make room for better songs. I'll round this up to a 7 it is certainly better than Perfect Pussy.
Last Glances at 2014 : Morbus Chron :"Sweven"
Got this one off Aesop Dekker of Agalloch's top ten list, he had some of the same old same old albums like Yob, but this one caught my ear. The are described as death metal, but the opening song of their latest album that was released way back last February, makes this hard to believe. Tribulation is a band that occupies similar sonic space at time. The beginning of this album uses predominately clean guitar tones and when the distortion does come it has more of a seventies feel than anything I would consider death metal. The vocal are the only real death component. Some of the music sounds like a more angular take on In Solitude.
"Towards the Dark Sky" does find itself in very metal places, though there are long stretches that sound as if they were originally written on acoustic guitar because their purpose is to be lyrical rather than beat you about your ears. Even the heavy riffs are smartly written. The manic growl of the vocals , seems to be more of an after thought. Which is a shame considering all the love and care that was put into the rest of these compositions. It not that I don't feel the growling works , I think it could have been layered in a more interesting fashion than the emotive burst of vomit.The first song that is a straight up metal song is "Aurora in the Offing".
The playing is all around spectacular, they have chops and can play progressively while maintain some soul. The solo tends to go in a more Kerry King direction, but the riffs are immaculate in the winding maze they weave. This is highlighted on "It Stretches in the Hollow". The drumming holds up some of the faster pacing tends to me more energy than approach. Over the course of the album some of the instrumental sections runs together.It took me a minute to realize I was already half way into "Ripening Life". There is no doubt these guys are infusing this with a grand dark ambiance, At times this creates an almost Opeth like feeling.
In the album's later half I can appreciate the formula established here. The have a very warm organic sound despite the hollowness of the reverb laden guitar.It does begin to lull me into a trance as the music falls into the back ground. The rock cranks back up on the big closing number. The progressive elements still have more balls than newer Opeth, though not as many as perhaps "Black Water Park".
I am not sure how much playtime this album would get since the bulk of it comes across as being instrumental, guitar players should take not of this album for sure. I will around it up to an 8 because I think these guys have found a sound that works.
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