The Top 10 Hardcore/ Punk Albums of 2026 ...so far

Hard-core is being lumped in here with punk, and its adjacent genres like noise rock and screamo. punk.   These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they are really going to need to bring it to compete with the top five albums on this list. No matter the genre,  darkness trumps speed when it comes to heavy, so these bands reflect that sentiment. These albums provide a fitting soundtrack to the demise of the US.  I have included links to full reviews if you want to check these out, and with all that said, here are the Top 10 punk  / hardcore albums of 2026 so far. 

10- The Crosses -"Outlier"

Dan from Die Kruezen is back with this band, which started as a way to resurrect the songs of his classic band, before they began looking forward and making their own music. His voice has changed with age. The timbre is different from what it was with Die Kreuzen, but the spirit is there. It is more of an obvious scowl than what he was doing back in the day. Granted, he never sang the same on the Die Kruezen albums as he was allowing his voice to evolve with each album. This album helps to fill the void his old band left. https://abysmalhymns.blogspot.com/2026/03/the-crosses-outlier.html

 

9-Gros Enfant Mort -"Le Sang Des Pierres" 

As genres shift and evolve over the years, it is easy to forget their origins. This French  band Gros surprised me as they hey remembered that screamo originated from emo, which was the more melodic and emotive version of hardcore that could be attributed to bands like Rites of Spring and Sunny Day Real Estate. This album opens more in that vein, though they build things into the explosive intensity of hardcore. 

https://abysmalhymns.blogspot.com/2026/01/gros-enfant-mort-le-sang-des-pierres.html

 

8-Chalk Hands-" The Line That Shapes the Coast of Us"

This British screamo band brings a great deal of sonic space and dynamics to their explosive gnashing of teeth. It takes you back to 1999, when this sort of thing was evolving into the force that would take over Myspace. These guys are able to not just scream but also emote. This is a reminder of how these bands carried shoegaze into the scene we have today. Bands like Mineral can be heard in what they are doing here.This hit all the heartstrings it needed to and kept the flame alive

 

7-Oakwood- "Blurred Away"

This Texas band is well-versed in late-90s emo and brings it in a powerfully dynamic and moving manner. This was a time when melancholic introspection was more blue-collar than dressed in marketed darkness. It was steeped in suburban punk angst with no political motivation. All but one song clocks in at under thirty minutes, proving they follow a less-is-more punk formula while still allowing the guitar to linger in jangling melody. They nailed this era I have fond memories of, but still wrote songs that give them their own identity for 2026

https://abysmalhymns.blogspot.com/2026/06/oakwood-blurred-away.html

 

6-Truck Violence-"The Weathervane is my Body"

These Canadian hard-core kids are venturing further into noiserock in their sophomore release, which finds a more angular dissonance steering the songs. The vocals are monaded and howled, as they steer the boozy sonics with a precise ugliness to create something beautiful. Some moments might not be as overtly metal as where a band like Chatpile, who crosses over into sludge, goes, but could have a similar appeal.

https://abysmalhymns.blogspot.com/2026/05/truck-violence-weathervane-is-my-body.html

 

5-Terror-"Still Suffer"

This is the 10th album from this long-running hardcore band whose origins trace back to Buried Alive from the late 90s. They deliver what you expect from this brand of hardcore. They are in your face and more on the metallic side, which makes plenty of sense considering their origins and influences. Even with the metallic elements the guitar riffs embrace, the dominant presence of gang vocals and attitude of the lead vocal are clearly hardcore, in fact, more hardcore than most bands these days.

https://abysmalhymns.blogspot.com/2026/04/terror-still-suffer.html

 

4-Final Gasp-"New Day Symptoms"

 liked their last album a great deal, but was unsure why it was being called death rock when it was old school metallic hardcore that owed more to Die Kreuzen. Sure, there is more of a hint of old AFI on this album. It's the more aggressive elements that have been refined with some more outright metal playing captured here. It is easy to get swept away in the album's momentum.

https://abysmalhymns.blogspot.com/2026/02/final-gasp-new-day-symptoms.html

3-Converge -" Love is Not Enough"

I've seen some people say this album is just as chaotic as their other work, and I am here to tell you it's not, and that is a sign of growth. It feels more like "You Fail Me" if you had to compare this to other albums. The biggest improvements lie in the mature songwriting and stellar production. 

https://abysmalhymns.blogspot.com/2026/02/converge-love-is-not-enough.html

 

2-Poison Ruin-"Hymns From the Hills"

Philly punks Poison Run continue to improve with each album. This one finds them settling into some of their catchiest and most melodic songwriting yet. This does not make them any less punk; in fact, it connects them more closely to the classic punk of the late 70s. The vocals show the most improvement. Despite theming the songs around the Middle Ages, there is an almsot more Western feel. One of the best punk albums I've heard in some time. 

https://abysmalhymns.blogspot.com/2026/03/poison-ruin-hymns-from-hills.html

 

1-Converge - the Hum of Hurt

These guys have been working overtime as it's their second album of the year. The buzz made it seem like this was going to be their noise rock albun, but that was not the case. In some ways in picks up where they left off on  "Love is Not Enough", but Jacobs' vocals are less snarled and chaotic, giving the songs a greater sense of deliberate purpose that finds it beating out the heavier nature of their previous release. 

https://abysmalhymns.blogspot.com/2026/06/converge-hum-of-hurt.html

crucifera : era "Exostential"

 

The creative force behind this project is Danielle Astraea, who combatted the problem that the vast majority of new dark wave runs into by giving the music some sonic rock balls. In doing so, she invokes the spirit of 90s electro-tinged alternative and puts her in a similar musical zip code as artists like Kidney Thieves and Snake River Conspiracy, though darker than the latter. But wait, that is not the best part; she actually uses her voice more like an instrument to color the songs, rather than try to emulate pop vocal hooks, yet proves herself capable of drawing you in. 

The paino is her primary instrument, but she does not relegate that to center stage and instead allows a mix of brooding and sensual grooves to keep her songs slithering through the dark corners of your d  dreams. This is perhaps best epitomized in the song "Better". Sometimes the ambiance woven around the songs carries more of the creepy ambiance of  Switchblade Symphony, but it's balanced out by hefty beats. Lyrically their a range from what might be personal torment to addressing social issues on songs like "Martyr Box", which addresses the rising tide of victim self-identification. It's hard not to appreciate someone who goes against the lowest-common-denominator narrative here. 

"saVior" finds the vocals sitting back against a more sexual slink that possesses the drum programming, which also refuses to conform to the expectations of most dark wave fans that have been trained to think production value that is stuck in the nostalgia for the early 80s is true goth. A silly notion considering all of those bands progressed beyond that era. She pushes further into darkness with the pulse of "Pity" that drips with sardonic snarl of its own amid well-layered vocals and synths. "The Empty" is more rooted in a haunting piano line with vocals that carry the dream-laden nature of Kate Bush. Much like Kate, the sense of melodrama is balanced with a more honest emotional current. While Kate Bush is one of my favorite artists, I find that when other singers try to tread similar water, they end up doing the Nightwishy washy thing I don't care for, but this seems to be rooted in a longing I connect with more.

"Burning to Death" moves off a more rock-centric beat, with the vocals following a more 90s flavored path until midway into the song, as they follow the music into a darker shift. Earlier, I noticed an inflection in her voice that made me think of Cyndi Lauper, and I hear it again on the last song, "Black Tongues," which is the album's most driving rock moment. I will round this one up to a 10 as I think the moments that might not have grabbed me will grow on me and are balanced by the more powerful moments. Hihgly recommended for fans of 90s goth who would to hear it in the context of today's production values. 

 

Oakwood : "Blurred Away"

 

This Texas band is well-versed in late-90s emo and brings it in a powerfully dynamic and moving manner. This was a time when melancholic introspection was more blue-collar than dressed in marketed darkness. It was steeped in suburban punk angst with no political motivation. All but one song clocks in at under thirty minutes, proving they follow a less-is-more punk formula while still allowing the guitar to linger in jangling melody. The vocals mainly sit in a shouted declaration, which in the first three songs works well enough, but I might need more vocals before this thing is over. 

This album is well produced, as it captures a great deal that is going on and employs tasteful overdubs while maintaining a very organic quality to what is going on here. They even use samples effectively without compromising what they are doing. There is a brighter jangle to "Fall Apart" that finds him making more of an effort to sing. There is a slight Taking Back Sunday feel to what is going down here. There is a more bouyant punk energy to the title track. If this came out back when I was listening to this sort of thing in the late 90s, I would have been blown away. 

"The Color of Caring" finds the sample sitting in the song in a way that makes me think of the Smiths. It is one of the album's more melodic moments so far. This is the song that is over three minutes, and, weirdly, this is the song that is instrumental. But it sounds good, so not complaining. If you can sell me on an instrumental, you are doing something right. They come out swinging harder for "Serpentine".It races off in an angrier punk direction.  I understand this is a side of who they are, but I think I prefer the previous song to it despite the dynamics employed. 

There is a catchier riff to "Distance/ Silence" that makes up for the more screamed vocals that begin to bore me a little at this juncture in the album. There is more melodic purpose to "Deepest Green". This also gives the vocals more space to come closer to singing. In fact, they keep trying til they hit the mark here. They close the album with "Fields Behind the House," which is another more melodic moment that might bring the Get-up Kids' early work to mind. I will give this one a 9.5, as they nailed this era I have fond memories of, but still wrote songs that give them their own identity for 2026.

The Top 10 Black Metal Albums of 2026 ... so far

This was set in motion three years ago when too many journalists tried to erroneously hail hot garbage as the best black metal album of the year. This compelled me to set things straight, as such a claim is disrespectful to the genre; therefore, I decided to uphold this mid-year tradition. Just sounding good from a production standpoint is not going to make the cut, since studio magic alone is not what black metal is about. Though I am not looking for something to sound like trash in the name of being cvlt either. I am also not paying homage to bands that are just press darlings for whatever social reason of the day might be. I want bands who are effective at creating darkness, so with that said, here are the top 10 Black Metal Albums of 2026 ...so far.

10-Darkthrone-"Pre-Historic Metal" 

It seems these guys are now transfixed on their Celtic Frost phase. They are still black metal if you are talking about how that genre was defined in the 80s. There is a rawer sound to this album than their previous one, but it does not hinder the head-banging, fist-pumping riffs. The vocals croaked with a Tom Warrior-like anguish, sitting back further into the guitars. Mercyful Fate's influence seeks to move them from their obsession with Celtic Frost, which makes for interesting listening. 

 https://abysmalhymns.blogspot.com/2026/05/heavy-maytal-darkthrone-pre-historic.html

 

9-Egregore- 'It Echoes in the Wild" 

This Canadian band gets it. They are bringing a blizzard of sound that is equally dark and heavy in its intensity when it hits your ears. The other strength Egregore finds on this album is that the vocals should not be an afterthought, no matter how they are delivered. They draw from more than just black metal, with thrash hooks in the guitar riffs and the aggression of death metal in the way it hits. It almsot sounds like an album from the early 90s in this regard, and the production helps solidify this aspect. It's not underproduced like an old Mayhem album, but it sounds more organic than most of the stuff coming out these days. It is atmospheric without any post anything

https://abysmalhymns.blogspot.com/2026/02/black-metal-history-month-egregore-it.html

 

8-Bringers of Death-"Sulphur"

Jeff Wilson of Chrome Waves has a blackened death metal project with the drummer from Acid Bath/Goatwhore, that is as ripping as you might expect, given Jeff's prior work in Nachtmystium and Wolvhammer. After the opening assault, things get into a more purposeful throb, and a darker mood is created that carries ample atmosphere.I like the mood it creates and appreciate the darkness invoked here, rather than just a bunch of blast beats beating you in the ears.

https://abysmalhymns.blogspot.com/2026/04/bringers-of-death-sulphur.html

7-Bizarrekult-"Alt Somme Finnes"

This Norwegian band does not feel the need to preserve their heritage by sticking to the second wave blast beats, and instead uses a very dynamic perspective on songwriting. The emotional range of this album marries elements of Enslaved to Deafheaven.

https://abysmalhymns.blogspot.com/2026/02/black-metal-history-month-bizarrekult.html

 

6-Mayhem-"Liturgy of Death"

Moving in a bigger and more symphonic direction for their new album, Norway's black metal icons Mayhem keep things dark even if it means crossing over into a marginally more accessible style that feels more like Dimmu Borgir in its epic scope. Hellhammer is behind the drum kit, so that brings a larger-than-life flurry of double bass. Obviously, Necrobutcher and Atilla are crafting these songs with guitarists who have been with them for well over a decade now. You might be surprised that this album is not ranked higher, but it takes fewer chances than the bands in the top 5. 

https://abysmalhymns.blogspot.com/2026/01/mayhem-liturgy-of-death.html

 

5-Unverkalt- ""Héréditaire"

Setting the stage with a deceptive sense of melody before blasting into you. The melodic vocals are perhaps more intersting, but they work a delicate balance of playing to both sides of the band's dynamic range. Depressive more than it's blackened, the sonic weight of their songwriting impresses right from the first song. Overall, this album is an impressive marriage of sound into well-balanced songs.

https://abysmalhymns.blogspot.com/2026/03/unverkalt-hereditaire.html

 

4- Trelldom-"...by the Word..."

This project steps even further into a bleak sea of chaos and further from their black metal beginnings, which is fine. It's more dynamic than black metal tends to be, so much like Ulver, they outgrew the bounds of the sub-genre.Despite it not being as song-focused as the previous album, as I respect what they have created here and their willingness to explore new places

https://abysmalhymns.blogspot.com/2026/05/trelldom-by-word.html

3-Ellende-"Zerfall"

They are atmospheric, with stunning guitar work and a haze of melancholy, lending their waves of scathing picking an edge. The wrathful vocals are perhaps more scornful this time around. This willingness to experiment is one of the things that makes this one of their best releases so far. They have doubled down on their commitment to melody and great guitar playing.

 https://abysmalhymns.blogspot.com/2026/01/ellende-zerfall.html

2-Worm -"Necropalace"

This Florida-based band shifted into blackened doom, which earned their place here thanks to their dynamic songwriting that finds its more progressive moments of this album will appeal to Emperor fans. This is a creative high mark for the band, so if you are a fan or like progressive black metal with darkly epic tendencies, then this album is for you.

https://abysmalhymns.blogspot.com/2026/01/black-metal-history-month-worm.html

1-Ponte Del Diavolo -"De Venom Natura"

This is not the heaviest or most cvlt black metal album on this list. It is, however, an album that thinks outside of the box and follows its own path while bringing a shade of darkness that is unique to what they are doing. There is not just blast metals and screaming, but a balanced range of dynamics that serve hooky songs worth repeat listens, which is what puts you atop the heap when it comes to this genre.

https://abysmalhymns.blogspot.com/2026/01/ponte-del-diavolo-de-venom-natura.html

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Death is June : Endseeker : "Coffin Born"

 

Germany has been busting out a ton of death metal and harcore this year, and this entry should go to the top of the list. Interestingly, I just reviewed the new Fleshcrawl album, and they are another German band with a strong Entombed influence, so Germans must just be getting into Entombed. These guys have a better production, making the vocals snarl their way over the dense attack of guitar, which seems to be the main Entombed factor driving these bands is nailing the nasty tone, maybe there's a pedal or lugin that does it? This is why I stand by the fact that songs matter more than a sound, as anyone can dial in a sound with the right equipment. 

It's the guitar knack for adding melody to balance the brutality that works best for these guys, though the second song does not have the same impact as the opening track. Some of this is because my ears are braced for impact and know what to expect. Three minutes in, the song turns around to the point that it almost feels like another song. Though with this comes an increased sense of dynamics. The title track is well done, and perhaps more intentionally, it does not grab me as strongly as the first song, but it is still cool.

They are even more polished in the songwriting department on "Life Breeds Death". The vocals are more articulated and interplay perhaps the best yet with the guitars. There are cool hooky guitar accents, showing they can write catchy songs when they set their mind to it. The palms muted chug of the everse is headbanging worthy for sure. They employ sung vocals for a cover of David Hasselhoff's "True Survivor" . He is huge in Germany so I suppose I am not surprised by the choice, but it's interesting that their vocalist can sing cleans this well and does not do more of them.  I will give this album a 9, as it shows you can still pay tribute to a band and write catchy songs.  Dropping on Metal Blade Records. 

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The Top 10 Pop Albums of 2026 ...so far

 

 That time of year again. These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they are really going to need to bring it to compete with the top five albums on this list. When it comes to pop, what you are not going to see much of are big mainstream radio artists that are part of the music industry machine that spits bullshit out on an assembly line with two dozen producers and even more songwriters making a product for the sheep to consume. Maybe two are adjacent to that machine, though are unlike the bulk of their peers. 

What I want from my pop is catchy songs that have actual instruments being played, rather than just empty calories being pumped into my ears. My people refer to this sort of thing as their guilty pleasures, and I do not use that term, as anyone on this list is better than vapid shit kids on TikTok are dancing to. Hip Hop has pretty much been garbage this year; only two artists have managed to rise from that trash pile to form music with depth.  There are links to full reviews if you want to check these out, and with all that said, here are the top 10 pop albums of 2026 so far. 

10-Mothica-'Somewhere In-Between"

In a shift from the dark synth pop of "Kissing Death," Mothica is shifting into a more modern metal sound that is not unlike what artists like Poppy and Spiritbox are doing. You can't accuse her of making the same album twice, which I admire.  

https://abysmalhymns.blogspot.com/2026/02/mothica-somewhere-in-between.html

9-Qveen Herby-"Isle of Qveen"

Her second album proves to be one of the few on this list that delivers what you expect you are going to get, going into though, she is much more polished this time around. She combines a catchy blend of rapping and singing. The wheel is not being re-invented, but what she does have is a smart streak of creativity and perhaps more attitude now than when I first heard her. 

 https://abysmalhymns.blogspot.com/2026/02/qveen-herby-isle-of-qveen.html

8-    

8-Cobrah- "Torn" 

If you combined the otherworldly alien nature of Poppy and mixed it with the hyper sex of Slayyyter, the results would be similar. Musically close to Poppy, with the electronic throb keeping the songs together. This is also an apt description of the title track that opens this album. On the second song, which is about Instagram is seductively lures you to check out her Instagram. There is a bit of a Charli XCX attitude involved in what goes down here as well. 

https://abysmalhymns.blogspot.com/2026/03/cobrah-torn.html

7-Nine Inch Noize- "s/t"

Nine Inch Noize is a collaborative album between producer Alex Ridha, aka Boys Noize, and Nine Inch Nails, which is now basically just Reznor and Atticus Ross.  If you are looking for big arena-rock riffs, that is not happening, as the songs reimagined here are strictly electronic. That's not to say the synths don't have heft, and Reznor's voice roots it in the sound you expect from him. The track listing replicates their Coachella set list. If you ever wanted to hear gay house remixes of Nine Inch Nails, well, here you go, get to boofing your Molly.

https://abysmalhymns.blogspot.com/2026/04/nine-inch-noize-st.html

6-Ghost Bells - "Caracoture"

This duo blends various sub-genres of dark electronic music into a moody but buoyant pop that feels like it is haunted by the 90s. The female vocals offer a childlike sing-song cadence to their chant. Repetition is king here and works. 

https://abysmalhymns.blogspot.com/2026/01/ghostbells-catacoture.html

5-Charli XCX-"Wuthering Heights"

  This soundtrack finds her deviating from the normal ode of operations, which are club classics, and instead draws more avant-garde classical music with weird atmosphere coating the bulk of these songs in a smart shift away from having another Brat Summer.

https://abysmalhymns.blogspot.com/2026/02/charli-xcx-wuthering-heights.html

 

4-Dalek- "Brilliance of a Falling Moon"

The new Die Antwoord has not dropped yet, so the competition when it comes to hip-hop is not as thick this year, but he broke into the top 5 this time around, thanks to songs that work off of what made hip-hop great in the 90s, but with more sonic depth and lyrical integrity. 

https://abysmalhymns.blogspot.com/2026/03/dalek-brilliance-of-falling-moon.html

3- Lights - "A6EXTENDED"

 Canadian pop songwriter Lights released an extended version of her "A6" album with 8 new songs, which is a whole ass album, that proved to be better than what the Instagram divas on the radio were rolling off the assembly line so far this year. Hooks with smarts to them in abundance here. 

https://abysmalhymns.blogspot.com/2026/02/lights-a6extended.html

2-Joji- "Piss in the Wind"

He sidestepped expectations with an oddity of an album that continues to grow on me. More organic than previous releases but also more experimental as it dips into shoegazing at times, which was not on my bingo card. More artists need to take these kinds of chances.

https://abysmalhymns.blogspot.com/2026/02/joji-piss-in-wind.html

1- Slayyyter- "WOR$T GIRL IN AMERICA"

This one was almost too close to call, and who knows what the competition for these albums might turn out to be by the end of the year, but She delivered less experimentation andd took a hookier groove approach that sticks to your ears harder than Joji's more atmospheric musings, which were still pretty potent. But this is the pop list, not the shoegaze list, so she took the top spot, as her attitude oozes what you want from pop stars in 2026.

https://abysmalhymns.blogspot.com/2026/03/slayyyter-worst-girl-in-america.html

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Feyleux : "Phases"

 This duo from North Carolina delivers legit darkwave in a manner that does not suffer the plight of being lost in the lo-fi murk of nostalgia. There are no overt trips to the Bat Cave, by trying to sound like "the Garlands", but employ a great grooving bass line that a DJ would have no problem wedging between Boy Harsher and Switchblade Symphony, but without giving a wink to either. I guess by the time I get to the second song, it's clear the benefits of modern production boosted this mix and elevated them out of the mire of tribute bands pining for days lost.

"Frailty" gives a strong opening with danceable drive, yet not neglecting the vocal melodies, which are also locked in. "Mercury" is more melodic and carries a more melancholic pace that brings the more recent offerings from Cold Cave to mind. There is an actual guitar being played, which goes a long way in my book . Her haunting alto falls in line with the expectations most goths have of this sort of thing without being a blatant tribute to Gothmother Sioux. I like how this moves. This ep is dedicated to their kitty, who died, so there is enough loss to make me a believer in their brand of darkness.

A more synth-minded bass line fuels "Shoreless" . The guitar sits further back in the mix, and there is a more spacious reverb sound that brings them closer to how modern darkwave is produced. Her vocals do not feel as fueled by the same level of passion here. I like how the synth riff turns the groove around in a dramatic fashion that recalls new wave. I will give this one a 9, I really enjoyed what they are doing and curious as to where they might go on a fulllength album,

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