Unlike most pop acts, there are no additional songwriters much less a team of one. The most pop moment on the album comes much later on "Crystal Roses", though there are more rock dynamics in play. She toys with auto-tune as an effect rather than relying on it. The title track leans into melody almost to the point of being a prog power ballad. But it's still heavier than the new Dream Theater. Their drummer really fills the spaces with interesting playing that they build off of. "A Haven With Two Faces" finds the harsher vocals return after they have lured you into a false sense of security, as this song spills over from the more serene vibes of the previous one.
"No Loss No Love" breaks from any notion of formulas this album has conceived and is where the album takes a more experimental slant and more electronic elements begin to creep in. "Ride the Wave" finds this taking them back in a pop direction, but to the band's credit, like their pop tendencies or not, they do not have a team of songwriters and producers coming up with their hooks for them, it's all Spiritbox. I am pretty picky when it comes to pop, so to my ears this is well done. With 'Ride the Wave" it does climax in a heavy explosion. It ends with "Deep End" which also touches on a more melancholic pop that shifts into anthemic rock, Since this album has more hard work invested in it's writing than their previous album I am going to give it a 10 and see how it grows on me. I think they have found their place in the landscape of the music biz here, and we will see them get bigger than they already are.
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