The Top 10 Indie Rock Albums of 2018

It is that time again. For the sake of this list indie rock is anything that is not mainstream rock or hard enough to be punk or metal. Some folk and shoe gaze are included , though it can't be dark enough to be goth or tense enough to be post-punk The score from my reviews to help determine the ranking , but also how many times Last FM told me I listened to each album.An album can have all the critical acclaim in the world but if it does not inspire multiple listens then how good can it actually be ?

While the top ten lists for other genres leaned more heavily on the side of new blood it seems there is an even blend of well established acts who put out the greatest quality albums .; Rather than posting media of a track from each band I am leaving a link to the review, which will contain Bandcamp or Full Album Streams. Ok enough talking about it, the time has come to dig into the top 10 indie rock albums of 2018.

10-Slow Crush -"Aurora"


If this had come out earlier in the year and I had a more easilly accessible copy of it this album by the Belgian shoe-gaze band would have been higher on the list. But I just found them, the review is hot off the press, yet I could not avoid putting them on here because they are so good at what they do.

 https://abysmalhymns.blogspot.com/2018/12/slow-crush-aurora.html

9-Rome-"Hall of Thatch"

 By the second song Jerome Reuter proves his gets better with each album. By the 3rd song it's obvious this album is a lot darker, which is fine by me as it carries a very Swans like feel. The theme of the album is a darker spiritual exploration and much more personal than the political themes he has championed in the past. I think this is a wise choice for him as this seems to elicit a more emotional response.


https://abysmalhymns.blogspot.com/2018/10/gothtober-rome-hall-of-thatch.html

8- Hillary Woods-"Colt"

 Hilary Woods would not be out of place on the Twin Peaks soundtrack. Less fey sounding than the Cocteau Twins, yet it occupies a similar sonic space as an album like "Treasure". These ballads are haunting, yet invoke spirits of inner space rather than from beyond the grave. Hazy not dark would be the best way to describe the sound. There is a jazz like minimalism, though unlike 90s acid jazz, it serves the melody rather than the beat. The percussion on these songs is incidental.Any genre that embraces emotive and shadow filled sounds could embrace what is done here.

 https://abysmalhymns.blogspot.com/2018/04/hilary-woods-colt.html

7-Church Girls- "Home"


Poppier than what I expect of most indie rock that tries to be too cool for school. It's not a poppy as say Pale Waves, though it's not as dark as them either. Though there is a touch of punk to what they do. Mariel's voice is plaintive while being emotive. It reminds me of 90s alt rock like Liz Phair or Veruca Salt.  She does have more range than she lets on at first . These guys are pretty impressive musically as the solo on "Black Seas" is pretty unexpected and highly fleet of finger.it's worth the dollar they are going to make me spring for it, which says something about the infectious nature of these songs.

 https://abysmalhymns.blogspot.com/2018/12/church-girls-home.html

 6-Deafheaven- "Ordinary Corrupt Human Love" 

 The new album opens in a tone that is not metal at all with piano and post-rocky instrumentation taking a dreamy groove which the vocals eventually snarl over. Snarling doesn't instantly make things metal here or really anywhere. " The drums punch certain accents, but until it swells I am reluctant to call it metal. The drummer has really stepped up his game that is for certain. Vocally the are back to sticking to the same snarl so far. It's his typically mid range, sometimes it sounds like he is making more of an attempt to form words than others.It earns multiple listens ,while its not a metal album it excels when it comes to guitar playing and songwriting.


 https://abysmalhymns.blogspot.com/2018/07/deafheaven-ordinary-corrupt-human-love.html

5-Iceage-"Beyondless"

 I was worried the boys from Denmark would stray to far from punk after their last album and the funky Rolling Stones like side project of their singer . The first song holds roots in the early days of punk, but is just good fucking music. While the drums continue to have a reckless edge the horns smooth out the sonic landscape. I am glad the gray clouds close in over the second half of the album, though none of it is sunshine and puppies,as it preserves the growing legacy of this band.


https://abysmalhymns.blogspot.com/2018/05/iceage-beyondless.html

4-Marissa Nadler- "For My Crimes"


She continues down a path of hauntingly morose balladry. More ghostly than Lana Del Ray. More folk than country this time around, though hints of western sounds still color this album. Things seem simpler here. More minimal compositions, keep the focus on the vocals. Sometimes these vocals are layered on the chorus. Wispy the songs become intangible and don't hook me as quickly as some of her previous efforts, so its a grower not a shower.


 https://abysmalhymns.blogspot.com/2018/09/marisa-nadler-for-my-crimes.html

3-Slothrust- "Pact"

 These guys have come along a way. This is a much smoother and polished effort right off the bat with a stab at pop injected. Gone is the grunge rawness. It does get kicked up later in the first song, but the hooky alternative rock going on here is much different than my first taste of the band. I would not call it selling out. It's a refining that could open them up to a bigger audience, it's a natural progression I suppose as I could never find their last album. This one certainly earned repeat listens.


 https://abysmalhymns.blogspot.com/2018/09/slothrust-pact.html

2- Nothing -"Dance on the Blacktop" 

 I found "Tired of Tomorrow" to be too happy and was underwhelmed. While this album might not be full return to the grunge tinged "Guilty of Everything" it does make shoe-gaze great again with more balls behind it than the previous album and keeps the surreal step back into the 90s going . There are authentic guitar tones and the songs builds into a hooky melody at the end. The new element being introduced on this album is the kind of vintage slacker rock that bands like Dinosaur Jr and Sebadoh used to crank out. This is a pretty solid return for them and was highly enjoyed even if it floats away at the end.


https://abysmalhymns.blogspot.com/2018/07/nothing-dance-on-blacktop.html

1-Pianos Become the Teeth - "Wait For Love" 

 Their fourth album is another picture of this band's dramatic evolution. If you go back and listen to their first album it doesn't even seem like the same band. Gone is the explosive energy and the screamed vocals. While I  think of these guys as having come from the same emo-revival that bands like Touche Amore came from, it's weird to here such refined indie rock coming from these guys. They are capable of going at it with an almost Jawbreaker-like drive on "Charisma". The vocals are plaintive but well-placed. The guitar doesn't told much in terms of distortion and works off of a dream-like jangle more often than not. While other albums might have scored higher on the initial listen this one earned it's place in heavy rotation and I actually listened to it more than the other albums.


 https://abysmalhymns.blogspot.com/2018/03/pianos-become-teeth-wait-for-love.html

The Top 10 Rock / Pop Albums of 2018...so far

O.k it's already June so we are half way into 2018, so here's a progress report to take a look at what the best albums of the year are so far.I sorted them by score and then let Last FM tell me what I've listened to the most. After all I can think an album is great on first listen, but if it doesn't keep me returning to it then how great can it be ? This seems less pre-mature than past years, as I think I am caught up on everything coming out before August with all the promos in my in-box. So Rock and pop is a broad term for any album that is not metal though a few come close, it ranges from stoner rock to goth electro. Rather than include audio samples, I put links to the original reviews where those can be found. Six months will tell how these pan out come December.



10-Psychedelic Witchcraft : " Sound of  the Wind"


Female fronted "occult rock" or "vest metal" bands almost became a thing back in 2012. Here is a band from Italy we have covered before that still carries that torch. After an acoustic intro the band is back their brand of occult tinged stoner rock. The crunch of the guitar's organic warmth is what contributes most to the retro core of their sounds. Virgina Monti proves right from the opening track that she is not to be relegated to sultry and is a capable rock singer of her own merit, with vocal melodies that are more biting. The Sabbath influence lingers at some of the songs edges more vividly in some places than others.

 http://abysmalhymns.blogspot.com/2018/03/psychedelic-witchcraft-sound-of-wind.html


 

9-Cold Cave : "You & Me & Infinity"

 Wesley is back with the second ep since 2011's "Cherish the Light Years " was released.  Things have change since then and the dark wave dance anthems we found seven years ago on that full length have given way to something with a more stark outlook. The vocals feel darker and have more of a traditional goth croon. Musically it's also not as upbeat and dancey. This is fine with me. Lyrically the romance gone wrong theme is far from new, I think the dry bleak delivery is the strength of the song mood wise.

 http://abysmalhymns.blogspot.com/2018/04/cold-cave-you-me-infinity.html

8-Sleep : " the Sciences"


 If you are new to stoner metal and just crawling out from under a mushroom, then you might know guitarist Matt Pike from this other band called High On Fire. Al Cisneros who handles the vocals has also played in OM and this time they have the drummer from Neurosis sitting behind the drums. I'll go ahead and warn you that the first song is just feed back and distortion and not really a song at all, though it might scare you. However they have been kind enough buds to let you known when it's safe to listen by including the sound of a water bong being fired up. The vocals come across a little different than I remember. They are lower and not as soaked in effects. They keep proving themselves capable of sitting along side the like of Kyuss in the smoky halls of stoner rock royalty.< 


http://abysmalhymns.blogspot.com/2018/04/sleep-sciences.html

7-Messa : "Feast For Water"

My first thought when I heard the beginning moments of  "Snakeskin Drape" was this is like a metal version of Lana Del Ray. The tempo picks up and finds them falling closer in line to other "occult" rock of their ilk like Christian Mistress. There is more raw rumble going when they gain speed that what their peers typically muster. The over driven roar is more of a production choice as cleaner mixed guitar play around it. There are plenty of guitar  solos that give it a more jammy feel.


 http://abysmalhymns.blogspot.com/2018/04/messa-feast-for-water.html

6-Hilary Woods : "Colt"

 Hilary Woods would not be out of place on the Twin Peaks soundtrack. Less fey sounding than the Cocteau Twins, yet it occupies a similar sonic space as an album like "Treasure". These ballads are haunting, yet invoke spirits of inner space rather than from beyond the grave. Hazy not dark would be the best way to describe the sound. There is a jazz like minimalism, though unlike 90s acid jazz, it serves the melody rather than the beat. The percussion on these songs is incidental.

 http://abysmalhymns.blogspot.com/2018/04/hilary-woods-colt.html

5-Chvrches : " Love Is Dead" 


 So this band was my methadone to ween me off a violent addiction to Taylor Swift's "1989" album. For the most part it worked only to get me hooked on their sugary electro pop. Things are only getting worse in the best possible way from there. Lauren Mayberry has lost the goth trappings of her look, and this album might not be the same shade of gray we have heard from them previous. The chorus to "Get Our" busts out and grabs your ear. The synths have a shinier sheen of plastic to them. The vocals are well layered and produced. Less dripping with effects than Taylor Swift's last album. 


http://abysmalhymns.blogspot.com/2018/05/chvrches-love-is-dead.html

4-The Weeknd : "My Dear Melancholy" 


 I was afraid that he might have become too preoccupied with being a TMZ personality and consumed with the celebrity of being a celebrity or trying to make comic books to focus on music. He has had enough in the way of personal drama to fuel a song or two , but would this happen. If he pushed the pop envelope further I felt he was going to lose what set him apart from the other mainstream r&b singers, though artist could apply to him the same can't be said of his peers who are closer to being entertainers than musicians. My fears were laid to rest as picks up where he left off before "the Beauty Behind the Madness" .


 http://abysmalhymns.blogspot.com/2018/04/the-weeknd-my-dear-melancholy.html

3-Black Salvation : "Uncertainty is Bliss" 


Former In Solitude and Grave Pleasures drummer Uno Bruniusson. But each member of this trio is highly talented. The guitarist Paul Schlesier handles the vocals. He gives the band a darker sound with a croon not unlike that employed on In Solitude's "Sister" album though more Jim Morrison than King Diamond. I am glad the fact the In Solitude connection caught my eye. While these guys are not metal, fans of In Solitude will find enough common ground to enjoy this one.

 http://abysmalhymns.blogspot.com/2018/03/black-salvation-uncertainty-is-bliss.html

2-Iceage-"Beyondless" 


I was worried the boys from Denmark would stray to far from punk after their last album and the funky Rolling Stones like side project of their singer . The first song holds roots in the early days of punk, but is just good fucking music.I am glad the gray clouds close in over the second half of the album, though none of it is sunshine and puppies. This preserves the growing legacy of this band


http://abysmalhymns.blogspot.com/2018/05/iceage-beyondless.html

1-Strvngers - "Amor Noir"

 Dripping with a sex fueled rock edge to the vocals this is a departure from the tired dark wave of the 90's though still pays enough homage to that era so at times find grooves that remind me a little of Orgy.  Plenty of samples that sound like they could have been lifted from a porn help give the album's narrative. More layered and nuanced than their earlier work that owed more to bands like Aesthetic Perfection.t went straight to my iPod ,which is as big of a compliment as I can give any band. The real estate of gbs in my iPod is pretty competitive considering the amount of music I consume on any given day. When I had to restore my lap top to factory setting and all my music was erased, this was the main album I freaked out about. Though I grew up a poor goth child so that factors into my love affair with album too.


http://abysmalhymns.blogspot.com/2018/03/strvngers-amor-noir.html

Hilary Woods : " Colt"

Hilary Woods would not be out of place on the Twin Peaks soundtrack. Less fey sounding than the Cocteau Twins, yet it occupies a similar sonic space as an album like "Treasure". These ballads are haunting, yet invoke spirits of inner space rather than from beyond the grave. Hazy not dark would be the best way to describe the sound. There is a jazz like minimalism, though unlike 90s acid jazz, it serves the melody rather than the beat. The percussion on these songs is incidental. The hypnotic piano riff on "Take Him In" and it creates an almost Philip Glass flavored drone. The tightly layered vocals gracefully hover over this. It shifts into a more surreal folk on "Kith" . Lyrically many of these songs are rather simplistic, but it works for what she is doing.

The dream jazz returns for "Jesus Said". The programmed drums create an odd foundation for the more improvised sounding piano parts to wander over. While people might be quick to compare her to Marissa Nadler, I don't hear it. Unless you are going off the fact they are both female singers who revel in atmosphere. Nadler has a country background , where Woods seems more rooted in cinematic jazz. "Black Rainbow" seems to draw influence from Angelo Badalamenti. It's the narcotic pulse that anchors it, the vocals and the piano grow more detached for this and float off into their own ambiance. The album ends with "Limbs". It works off a pretty simple chord progression, that follows a less is more kind of minimalism, and slowly adds other textures of sounds. This gives the speculative vocals room to breath. The song drifts deeper rather than hitting you with a big chorus.This song had a darkly soothing effect
.

She joins the ranks of Marissa Nadler, Emma Ruth Rundle and Chelsea Wolfe, as sirens of the atmospheric land of shadows. There is not the "heavy" feeling I might get from the music of the other women, but I would not be surprised if I saw she was opening up for Russian Circles as I can hear how her music might appeal to fans of post-rock. She is very dark without being goth, though not far removed from Cocteau Twins in some ways who became thought of as goth fathers. So any genre that embraces emotive and shadow filled sounds could embrace what is done here.I'll go ahead and round this up to a 9.5 as it grows on me with each listen. This is being released on Sacred Bones June 8th.