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Showing posts with label Tension Span. Show all posts
Showing posts with label Tension Span. Show all posts

Thursday, December 22, 2022

the Top 10 Albums of 2022





At the end of the day...year these are the albums I listened to the most. The reason that makes these the best is because I listened to over 2000 albums this year and these are the ones that endured the influx of new music that hit My inbox every morning and made me want to hear them again and again. Yes, this is the culmination of all the other lists done up to this point for other blogs and was refined down to this master list of all genres.  So here ya go...





10-Vision Video- "Haunted Hours"

 Athens based band won a spot on this list due to the catchy and melodic nature of what they do drew me in for more repeat listens. They remind me of the Twilight Sad, so I am fine with that. They are also huge fans of the 80s and pay homage while crafting wonderfully infectious songs. 





9-Zola Jesus - "Arkhon"

One of my favorite singers of the past decade, I breathed a sigh of relief when I pressed play and found this album is another step into the darkness instead of taking a poppier turn. This time rather than taking everything on herself she worked with producer Randall Dunn, and former David Bowie drummer Matt Chamberlin. With each album she has become ore sure of herself as a singer and the songs continue to soar with the benefits of this.  



8-Ozzy Osbourne- "Patient Number 9" 

Releasing album 13 at the ripe age of 73, Ozzy is holding up better than expected, especially when you consider the tour cancelling issues of the past few years. This album has less of a pop sheen and feels more like a rock record than "Ordinary Man". He brings Zakk Wylde back, along with Toni Iommi, Jeff Beck and Eric Clapton. So, the big guns of rock guitar.  They helped him crank out a batch of songs that I have not heard him get as catchy since "Ozzmosis"   








7-Tension Span - "the Future Died Yesterday"


Here is how punk should be done. Bleak and grim. It is brought to you by Noah Landis of Neurosis and members of Asunder and Dystopia. The songs deal with the impending apocalypse the world is heading toward. Dark and tense as post punk, but it has the middle finger pointed at the sky as punk should. An aggressive drive not unlike Black Flag with burning chug infusing the guitars. Thought at times they back off to create more of an atmosphere that is more Post-punk, which has always been one of the under currents that influenced Neurosis, but it fits into the cross roads where early punk came from and lines of sub-genres we define music now by where not yet common place. An album you can just leave on an let play. 


 



6-(16) - "Into Dust"  


After 2020's "Dream Squasher" proved to be a slab of sonic devastation I am still listening to 2 years later, the bar could not be higher for this California band. The continued to bring it with this album firing from all cylinders with their foot to the gas of this tank. The weighty sludge rolls over you, but with a bit of swing and hook.  There is more rock n roll flowing through their veins this time around. It is most commonly bled out on the frets of the guitars. Catchy song writing does not mean they are any less in your face or forceful in their intentions.


Abysmal Hymns: November is Doom- (16) : " Into Dust"

 

 





5-Hangman's Chair- "A Loner"


The French band's 2018 album took the top spot as the doom album of the year. Their reign of bleak continues, even though the more over metallic edges is dialed back. They make up for this is the mood they have captured which is as dark as the glory days of Katatonia. There is a driving riff when the opening track kicks in once the clouds of atmosphere have lifted. The lead single "Cold & Distant" is more accessible than anything we have heard from them thus far. Driving hooks with being too poppy. Songwriting is where they dominated and just because there is a more accessible slant to this album it is not a sign of weakness.

Abysmal Hymns: Hangman's Chair : "A Loner"




4-Bush- ' the Art of Survival"

Here is an album that grew on me with each listen. In some ways this is a Bush album in name only, as Gavin Rossdale is the only original member. It does still retain the gritty grunge feel of their 90s work. This band came across as a less of a band wagon jumper in their prime and had an emotional grit that told me Rossdale had deep personal wounds he was processing through his music. At the same time, he had record companies breathing down his neck and pressure on his to get radio hits. He has delivered more solidly than most of his peers from this era have yet to







3-Brutus - "Unison Life" 


Thankfully this Belgian band is back. I was a big fan of their last album. This time around they are leaning more into the atmosphere set against a bigger more rock like sound as the Bjork like quality still lingers in her voice. It can be hard to define what they are doing here, though at their core this is shoe gaze with a post-hard-core punch.  This is run through a filter of matured songwriting. It is this song writing that earned the number one spot because not only is this the best of the shoe gazing album released this year, but these songs stand up against albums of other genres as well. 

Abysmal Hymns: Brutus : "Unison Life"



 





2-Birds in Row- "Gris Klein" 


This French hard-core band is ready to live up to the anticipation for their newest album bringing all the explosive energy and urgent emotional catharsis. The shouted vocals are very serious even though their anguished screams at time sound more like punk than what we think of as hard core today, but the term hardcore, used to be hard core punk, and this is a good example of what that is, while not just sticking to the most commonplace blueprint. The sonic passages, feel more like what screamo bands have been doing over the past twenty years. Even in the fact of all the intensity they are expelling in these outbursts, they have still crafted dynamic, melodic songs. The nuanced interplay between the bass and drums, proves what great musicians these guys are. They do not need mathematic acrobatics but work of jerking grooves. This album is a must for anyone who wants emotional hard core with a sense of adventure

Abysmal Hymns: Birds in Row: "Gris Klein"

 




1-Taylor Swift - "Midnights"

Imagine a pop album not overrun by an assembly line of producers and outside songwriters. Taylor has got you covered with that. Having started off as a musician and song writer before fully wading into the pop waters, she has an advantage over her peers with whom she shares the radio waves. Taylor continues to excel while making music in a genre that normally vomits up disposable jingles for audiences who fall for anything sold to them, so imagine pop music with some thought behind it, what a concept. She writes great songs with clever lyrics which carries an infectious nature that found her beating out everyone else. 


Abysmal Hymns: Taylor Swift: "Midnights"


Wednesday, December 14, 2022

the Top 10 Punk Albums of 2022






Given the state of 2022 it might be surprising that punk did not get angrier this year. Not that I am into political punk. This year punk and hard core are getting separate lists. Ok now that that is out of the way, much like in years past sort through the genre lists before making the overall top ten of the year list. The fact these artists made it on the list speaks to how great these albums are, so it's not a slight that the number 8 album is above the 9th album, there is something that just gives it an edge that makes me want to listen to it more. After all we can try to look cool and pick the hippest bands for a list, but at the end of the day what makes an album the best is that it makes you want more, you look forward to listening to it again. I do hope you can find your next favorite on this list and have included links to reviews of these albums if you want to check out audio on these guys. Anyways here are the top punk albums of 2022





10-Sunflo'er- "All These Darlings and Now Me"

Their 2018 album "No Hell" earned the 6th place slot on the 2018 top 10 hardcore / punk albums of the year list. This time around they have a new singer which has taken things in a rowdier rock direction. He is more impressive on the first song than the second, though they have retained the kind of Refused like anger that was explosive on the previous album. Their overall sound is heavier and has more of metallic edge than the previous album.  Kvelertak without the black metal inspiration would be another sonic point of reference here and gives a better idea where the new singer's vocal stylings lean more towards






 



9-Boris- "Heavy Rocks" 


Another chapter in their "heavy rocks" series. It carries an explosive Stooges like barrages that gets more chaotic as it progresses, while still holding it together rock songs. This band has been around for 30 years so know what they are doing, though they have covered a great deal of ground over the course of their career. Sometimes there is a screamo tinge to the more emotive vocals. The oddest production jobs in terms of where the instruments sit. More raw and punk flavored than what the Melvins do, but on the less metal side of where the Melvins sit sonically. Boris has dabbled in metal before, that is just not what is happening here. The focus is on high energy and up-tempo songs.







 8-Spice- "Viv" 

If I had to sum up this band in an elevator pitch it would be if you mixed the Pixies with the aggression of a 90s post-hardcore band. Sometimes there is more jangle, they flirt with more traditional styles of punk, often leaning into a darker more Jesus and the Mary Chain like post-punk flavor. The album has an impressive range of dynamics, summoning a great deal of energy when they kick on the gas and pick up the intensity, with plenty of attitude to spare. 



 



7-Dead Cross- "II" 


The darkest and heaviest of Mike Patton's many projects.  I appreciate the dissonance of what they are doing. Where Patton's singing on 'the Raging Wrath of the Easter Bunny" was more metal in its intentions, that is only a fraction of what is going on here. Justin Pearson from the Locust feels to have more influence on this album when it comes to the more noise punk direction. ". Things remain sonically dense even when being kicked in a more punk direction. It is however the darker atmospheric passages that bring the spastic punk ones into the needed balance. 

Abysmal Hymns: Dead Cross :"II"







6-Chat Pile- "God's Country" 


Perhaps these guys were once a grind band, but they smoked enough weeds to weird out the anger and turn it sideways. This instead turned them to the dark side. These dark vibes kept me returning to this album. Punk rock that takes an angular lumber that turns to sludged out noise rock, but the spoken vocals ranting about homelessness, I normal do not like political or social topics that are not infused with a message of nihilism and hopelessness. But this somehow works for me due to the unhinged screamed manner they are delivered on this crazy album.






 

5-Cancer Bats -"Psychic Jailbreak" 

One of those hard-core bands that I assumed were more rock n roll than they are. They do not just hit you with hyper aggression and break downs and are burly enough to fit into my broader definition of punk. There is a touch of their more metal side that comes out falling somewhere between Clutch and Gwar. They are great at what they do which is serve up seething songs that are equally catchy. 




 



4-Straw Man Army - "SOS" 


This sardonic brand of punk embraces the early indie rock that formed what this sort of thing would become decades later. It makes sense that these guys would be from New York given the city's history with punk music.  This album is more experimental than what we are commonly led to believe punk can or should be. Bands like Fugazi are certainly a fair point of reference when pondering their influences. They are aggressive but work with the weird range of sonics they attack the songs with. One of the more original bands on this list . 








3-Laces Out - "Here at Ashram"  

Frenetic energy is pumped into the taunt guitars on this album. They ride the line between post-punk and post-hard core.; Sometimes this is done in a Fugazi like fashion and at others it feels like they are a long-lost indie rock band from the 90s. They can ride the grooves of these riffs, smoothing out the angular qualities. The vocals are what typically owes the most to hard-core in their sound as they are painfully pissed. Lyrically things are pretty personal to make for a compelling listen.






2-High Vis - "Blending" 


Having grown out of the limitations placed upon them by the post-punk revival label, they have made this explosive album that feels more like real punk than anything you have heard in some time. Singer. singer Graham Sayle gives thing a more punk edge, while the guitar rings out creating both and in your face thunder that booms while not skimping on the attitude. The 80s new wave influence can still be heard on some of the chord progressions. The guitar solos are much more rock than the rest of what is going down here but it still works well.

1-Tension Span - "the Future Died Yesterday"


Here is how punk should be done. Bleak and grim. It is brought to you by Noah Landis of Neurosis and members of Asunder and Dystopia. The songs deal with the impending apocalypse the world is heading toward. Dark and tense as post punk, but it has the middle finger pointed at the sky as punk should. An aggressive drive not unlike Black Flag with burning chug infusing the guitars. Thought at times they back off to create more of an atmosphere that is more Post-punk, which has always been one of the under currents that influenced Neurosis, but it fits into the cross roads where early punk came from and lines of sub-genres we define music now by where not yet common place. An album you can just leave on an let play. 


Thursday, September 22, 2022

Tension Span : " The Future Died Yesterday"










Here is how punk should be done. Bleak and grim. It is brought to you by Noah Landis of Neurosis and members of Asunder and Dystopia. The songs deal with the impending apocalypse the world is heading toward. Dark and tense as post punk, but it has the middle finger pointed at the sky as punk should. " the Crate Song" is as aggressive as Black Flag with burning chug infusing the guitars. "Filaments" is the first song where they back off of the aggressive and allow more the kind of atmosphere that would make this post-punk. Post-punk has always been one of the under currents that influenced Neurosis, so this should not be a surprise, but it fits into the cross roads where early punk came from and lines of sub-genres we define music now by where not yet common place. This just grooves. 

They snap back with angrier punk snarl on "Ventilator". One of the great things about this album is that its song focused. They do not rely on the sheer raw power of speed or sonic rowdiness to just have a temper tantrum. They have purposeful lyrics that you can make out and the message comes across pretty clear. They take a crack at Christianity on "Covered In His Blood" that uses samples in a very Negativeland manner.  "Problem People' carries a great deal of melody in its mid-tempo clang. The phrasing of the lyrics feels more like Dead Kennedys, though the music carries a more ambient drone. When the bass line steps up into the mix, it does feel more post-punk to some extent on "Trepidation". There is an almost death rock creepiness to it. Matt Parrillo from Dystopia / Kicker handles the bass on this album, and I am impressed by his tone. 

So far, the only time they get more focused on sound than song is the instrumental " I Have to Smile" which sounds cool, but pretty much just drones on the one theme. They take a more straight forward punk attack, with perhaps a more aggressive attitude. They lock back into a darker post-punk tension on "I Can't Stop the Process", another one that works off a drone more than using vocals, yet the samples [provide enough of a narrative. They split the difference between the two vibes on the last song. There is no question this album is a 10 as this is what punk should be. It comes out on Neurot Records September 30th


9.9