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Showing posts with label Truck Violence. Show all posts
Showing posts with label Truck Violence. Show all posts

Wednesday, June 17, 2026

The Top 10 Hardcore/ Punk Albums of 2026 ...so far




Hard-core is being lumped in here with punk, and its adjacent genres like noise rock and screamo. punk.   These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they are really going to need to bring it to compete with the top five albums on this list. No matter the genre,  darkness trumps speed when it comes to heavy, so these bands reflect that sentiment. These albums provide a fitting soundtrack to the demise of the US.  I have included links to full reviews if you want to check these out, and with all that said, here are the Top 10 punk  / hardcore albums of 2026 so far. 




10- The Crosses -"Outlier"

Dan from Die Kruezen is back with this band, which started as a way to resurrect the songs of his classic band, before they began looking forward and making their own music. His voice has changed with age. The timbre is different from what it was with Die Kreuzen, but the spirit is there. It is more of an obvious scowl than what he was doing back in the day. Granted, he never sang the same on the Die Kruezen albums as he was allowing his voice to evolve with each album. This album helps to fill the void his old band left. https://abysmalhymns.blogspot.com/2026/03/the-crosses-outlier.html

 



9-Gros Enfant Mort -"Le Sang Des Pierres" 


As genres shift and evolve over the years, it is easy to forget their origins. This French  band Gros surprised me as they hey remembered that screamo originated from emo, which was the more melodic and emotive version of hardcore that could be attributed to bands like Rites of Spring and Sunny Day Real Estate. This album opens more in that vein, though they build things into the explosive intensity of hardcore. 


https://abysmalhymns.blogspot.com/2026/01/gros-enfant-mort-le-sang-des-pierres.html

 



8-Chalk Hands-" The Line That Shapes the Coast of Us"

This British screamo band brings a great deal of sonic space and dynamics to their explosive gnashing of teeth. It takes you back to 1999, when this sort of thing was evolving into the force that would take over Myspace. These guys are able to not just scream but also emote. This is a reminder of how these bands carried shoegaze into the scene we have today. Bands like Mineral can be heard in what they are doing here.This hit all the heartstrings it needed to and kept the flame alive

 





7-Oakwood- "Blurred Away"


This Texas band is well-versed in late-90s emo and brings it in a powerfully dynamic and moving manner. This was a time when melancholic introspection was more blue-collar than dressed in marketed darkness. It was steeped in suburban punk angst with no political motivation. All but one song clocks in at under thirty minutes, proving they follow a less-is-more punk formula while still allowing the guitar to linger in jangling melody. They nailed this era I have fond memories of, but still wrote songs that give them their own identity for 2026


https://abysmalhymns.blogspot.com/2026/06/oakwood-blurred-away.html



 




6-Truck Violence-"The Weathervane is my Body"

These Canadian hard-core kids are venturing further into noiserock in their sophomore release, which finds a more angular dissonance steering the songs. The vocals are monaded and howled, as they steer the boozy sonics with a precise ugliness to create something beautiful. Some moments might not be as overtly metal as where a band like Chatpile, who crosses over into sludge, goes, but could have a similar appeal.


https://abysmalhymns.blogspot.com/2026/05/truck-violence-weathervane-is-my-body.html



 



5-Terror-"Still Suffer"


This is the 10th album from this long-running hardcore band whose origins trace back to Buried Alive from the late 90s. They deliver what you expect from this brand of hardcore. They are in your face and more on the metallic side, which makes plenty of sense considering their origins and influences. Even with the metallic elements the guitar riffs embrace, the dominant presence of gang vocals and attitude of the lead vocal are clearly hardcore, in fact, more hardcore than most bands these days.


https://abysmalhymns.blogspot.com/2026/04/terror-still-suffer.html

 




4-Final Gasp-"New Day Symptoms"


 liked their last album a great deal, but was unsure why it was being called death rock when it was old school metallic hardcore that owed more to Die Kreuzen. Sure, there is more of a hint of old AFI on this album. It's the more aggressive elements that have been refined with some more outright metal playing captured here. It is easy to get swept away in the album's momentum.


https://abysmalhymns.blogspot.com/2026/02/final-gasp-new-day-symptoms.html







3-Converge -" Love is Not Enough"


I've seen some people say this album is just as chaotic as their other work, and I am here to tell you it's not, and that is a sign of growth. It feels more like "You Fail Me" if you had to compare this to other albums. The biggest improvements lie in the mature songwriting and stellar production. 


https://abysmalhymns.blogspot.com/2026/02/converge-love-is-not-enough.html


 




2-Poison Ruin-"Hymns From the Hills"


Philly punks Poison Run continue to improve with each album. This one finds them settling into some of their catchiest and most melodic songwriting yet. This does not make them any less punk; in fact, it connects them more closely to the classic punk of the late 70s. The vocals show the most improvement. Despite theming the songs around the Middle Ages, there is an almsot more Western feel. One of the best punk albums I've heard in some time. 



https://abysmalhymns.blogspot.com/2026/03/poison-ruin-hymns-from-hills.html


 




1-Converge - the Hum of Hurt


These guys have been working overtime as it's their second album of the year. The buzz made it seem like this was going to be their noise rock albun, but that was not the case. In some ways in picks up where they left off on  "Love is Not Enough", but Jacobs' vocals are less snarled and chaotic, giving the songs a greater sense of deliberate purpose that finds it beating out the heavier nature of their previous release. 


https://abysmalhymns.blogspot.com/2026/06/converge-hum-of-hurt.html


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Tuesday, June 2, 2026

May's Top 10 Albums







May is now two days out the door, so jsut catching up on this as I was trying to get ahead of kicking off June's Death Metal month, and life was being life, so now I am getting caught up, so let's get you abreast of new releases. This might help you, casual readers, with what you might have missed.  I am not doing little blurbs on them, just linking the reviews. This helps me organize my lists for the end of the year by listing the album's genre. This does not mean that these albums have been released this month, but it is a list of new or upcoming albums I have enjoyed the most. I have albums in my in-box that won't come out until August, so I am normally way ahead of the curve in this regard. They are ranked in order of how much I have listened to them. This month, leaned more on heavy stuff ranging from New Wave to Doom, so perhaps you will find your new favorite among them. Here are the Top 10 albums for May of 2026.



10-Metal Church- "Dead to Rights." 


Thrash





9-Iceage-"For the Love Of Grace & the Hereafter" 


Indie Rock 





8-Truck Violence- "the Weathervane is my body." 


Noise Rock




7-Venom - "Into Oblivion." 


Heavy Metal 





6-Dimmu Borgir - "Grand Serpent Rising." 


Symphonic Black Metal 




5-Tori Amos-"In Times of Dragons" 


Alternative





4-Astari Nite,- "Medications in Bloom." 

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Wednesday, May 27, 2026

Truck Violence; "the Weathervane is my body"

 




These Canadian hard-core kids are venturing further into noiserock in their sophomore release, which finds a more angular dissonance steering the songs. The vocals are monaded and howled, as they steer the boozy sonics with a precise ugliness to create something beautiful. Some moments might not be as overtly metal as where a band like Chatpile, who crosses over into sludge, goes, but could have a similar appeal.  It's not until the song "Completed By Christy" that they dip back into their more melodic side with the hints of folk and country music peppered in. At times, this reminds me of a band like Iceage, who gradually expanded beyond their punk roots

 They more fully commit to this kind of backwoods twang on "House Caught Fire." "New Jesus" is pretty dynamic in their approach, with a more explosive lead into what might be considered the chorus, which is not far removed from Black Flag. It ebbs and flows between the more melodic guitar riff and the dense din of guitar. There is less blending of their folky side with the more intense weight of what they are doing on this album, but it is still an interesting listen, certainly heavier than their first album. But they do switch gears by pulling out a banjo midway into "Your name, it's waiting". This blending leads to a more memorable riff that answers this shift. 

The riff rings out and hammers you in equal measure on "Stomach as a tower..." with things not breaking down to a more atmospheric introspection till midway in. "Gerard, be quiet" takes the time with a strum that contemplates rather than confronts. "Kindly Wash Yourself" opens in a more subdued folk and builds into something that brings to mind a 90s indie band like Sebadoh. The chords ring out with an effective ache. What they do on this album is a continuation that works, but I am going to give it a 9.5, as there is something about the first album that made it hit with me a little more, but this one might just need to grow on me. Out June 26th on the Flenser




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Thursday, August 21, 2025

Under the Radar - Truck Violence : "Violence"






 Sometimes there is an album that goes unnoticed when released, and it takes some time before it gathers the buzz needed to come to your attention. This is the case with Canadian band Truck Violence, who released this album back in July of 2024, and just now entered my trajectory.   It flew under the radar and gathered a deserved buzz as it came to my attention. They incorporate punk vocals with an undercurrent of blast and odd, angular reverb reverb-heavy guitars that clang about; it feels like Iceage jamming with Cult of Youth at times. 

"Lecture" finds its vocalist mumbling to himself in a rather musing manner as the music broods in a 90s indie rock manner. When it explodes out, it is not done in as abrasive a manner as we first hear from them, showing they have levels of dynamics they are mature enough to shift from. Their first foray into folk is on the song "Gung buried in the front yard". This is being said with a dash of irony, but maybe they are sincere.  "The gash" has more of a hardcore feel, though it's dark and reflective. The return to the more folk sounds but with a more depressive feel for "He ended the bender hanging". The darker subject matter makes me take this one more seriously, and it builds into a more angular noise rock clamour. 

There is another folk ditty that feels more bluegrass emo. Not as serious as the previous song, but not done from a place of irony either. The last song feels more like noise rock, as it is not a feral explosion of anger, but a reflective unfolding of it. I will round this one up to a 10 it might be the best punk album from last year that you never heard. 




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