Pages

Showing posts with label Twilight Sad. Show all posts
Showing posts with label Twilight Sad. Show all posts

Friday, June 19, 2026

The Top 10 Goth / Post-Punk Albums of 2026... so far




As the Doomsday Clock races, time speeds up, as 2026 is at its midpoint. With the impending end of times comes a celebration of darkness, and these bands are making substantial soundtracks for that. This year, there is more emphasis on post-punk than industrial, as that is what has been worth listening to this year so far.  Maybe by October, there will be more worthwhile industrial releases. These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they will need to bring it to compete with the top five albums on this list. For the mid-year report card list,  I have included links to full reviews if you want to check these out, and with all that said, here are the top 10 Goth / Post-Punk albums of 2026 so far. 

10-KMFDM-"ENEMY"

They might be somewhat confused as to what the majority they have no pity for. Their mission statement is 40 years of conceptual continuity, but the concept expands in recent years, aside from the more rock n roll vibes the title track opens the album with, there does seem to be a similar vibe that checks off all the boxes you expect from the long-running electro-industrial band. 


https://abysmalhymns.blogspot.com/2026/02/kmfdm-enemy.html


9-Deeper Gaves- "Pull Me Toward the Dark"

 This serves as the third album from  Jeff Wilson's more dark wave-leaning project since. Where Chrome Waves has gradually drifted in a darker, more post-punk direction, this album bridges the gap where darkness becomes heavy. In some ways, it is closer to what a band like Cold Cave does, which is a fair comparison as it is forward-thinking rather than just paying homage to the 80s.

https://abysmalhymns.blogspot.com/2026/01/deeper-graves-pull-me-toward-dark.html



8-Wailin Storms- "The Arsonist"

Here is a project that has improved over the past decade. Each album has been a little more impressive as it has morphed from a noisy cow-punk band into something more focused, serving songs rather than working on a sound. They have moved in the right direction, and this album si a testament to that; It is dark enough to appeal to fans of post-punk who work more of the kind of brooding summoned here.



https://abysmalhymns.blogspot.com/2026/04/wailin-storms-arsonist.html

 




7-Shadowlands - "004"


The album opens with them threatening to take us down "Fascination Street" before the verse breaks things up into something more haunting and dark wave. They work with the required sounds of the genre without sounding like a stale tribute act. The choice of effects draping the atmosphere works in their favor to help solidify their identity. The Sabin sisters get props for not trying to be Siouxsie Sioux, another key element. 

https://abysmalhymns.blogspot.com/2026/02/shadowlands-004.html




6-Traitrs-"Possessor"


The Canadian post-punks are back. They open their newest album with the lead single "Burn in Heaven," which is grooving and dark enough to be in regular rotation at goth clubs everywhere.  It bridges the organic guitar focus of post-punk with the slinking slither of dark-wave to fit nicely into the goth paradigm. Even for all its Cure worship and ballads halting the momentum, it sounds great, and there is a depth to the melodies that makes you a believer in the moping going down here. 


https://abysmalhymns.blogspot.com/2026/03/traitrs-possessor.html

 





5-Astari Nite -' Medications in Bloom"


The Miami-based goth project continues their journey away from their death rock beginnings into somewhere new yet not far removed from the more new wave sound they expanded upon with  2024's "Resolution of Happiness." The excellent productions help put it toward the top of the heap when it comes to goth so far this year. I like that overall the mood is darker and more melancholy than the previous album. 


https://abysmalhymns.blogspot.com/2026/05/astari-nite-medications-in-bloom.html

 




4-Crucifera-"Exostential"


The creative force behind this project is Danielle Astraea, who combated the problem that the vast majority of new dark wave runs into by giving the music some sonic rock balls. In doing so, she invokes the spirit of 90s electro-tinged alternative. Highly recommended for fans of 90s goth who would like to hear it in the context of today's production values.


https://abysmalhymns.blogspot.com/2026/06/crucifera-era-exostential.html






3-Crippled Black Phoenix: "Sceaduhelm"


I have enjoyed watching this band descend further into darkness with each album. This is an impressive display of refined and dynamic songwriting and is likely the band's best album yet, as it feels the most focused.


https://abysmalhymns.blogspot.com/2026/01/crippled-black-phoenix-sceaduhelm.html




 

2-The Secrecty-"Pins and Needles"


 The first song blew me away as it's what I want from post-punk, taking inspiration from my favorite bands like Killing Joke and Fields of the Nephilim, but without sounding like a blatant tribute to any of them, as they have their own thing going on. From the darker rock vibes to a more hypnotic pulse, they can also shift into a dance beat that adopts a new wave touch.


https://abysmalhymns.blogspot.com/2026/06/the-secrecy-pins-and-needles.html







1-Twilight Sad- "It's the Long Goodbye"


f there is any justice in the world, the 6th album from this Scottish band will find them getting the recognition they deserve. They have toured with the Cure multiple times, but also had some hardships in their daily lives, which led to their bass player and drummer being replaced with Arab Strap's drummer and Mogwai's bass player. Vocalist James Graham's distinct voice is centerstage, with guitarist Andy MacFarlane providing the needed backdrop.n some ways, it is more experimental and raw, but it holds up well against their legacy.




pst260

Saturday, January 4, 2020

the Top 10 Indie Rock Albums of the Decade









The decade began before this blog was started , I can not just rely on sorting through previous reviews. I am just embedding video clips to support the reasoning for these albums to be listed as such, since I already did a best of the year list for each sub-genre. I broke up what was the punk / harcore list and made them two seperate lists. What was the deciding factor here was what album had the  best songs that are  worth listening to again and again.  Maybe these are not the hippest albums of the decade when it comes to this genre, but what matters more is the fact these are the albums I listened to the most when it came to this sort of thing. ; Any ways here are the Top 10 Indie Rock  albums of the decade.




10- Whirr- "Sway" 2014 









9-No Joy - "More Faithful" 2015












8-Slothrust - "the Pact " 2018 












7-Ride - the Weather Diaries" 2017













6-Pianos Become Teeth -"Wait For Love" 2018 













5-Nothing - Guilty of Everything- "2014" 












4- the Drums -'s/t"  2010














3- the Twilight Sad- "Nobody Wants to Be Here and Nobody Wants Leave" - 2014 













2 - The National - "Trouble Will Find Me"- 2013













1- Morrissey - "World Peace is None of Your Business"- 2014




 

Friday, June 24, 2016

The Ghosts of ...2014 : Twilight Sad's "Nobody Wants to Be Here and Nobody Wants to Leave"




This band is going to be opening up for the Cure. Thought I would dig back into 2014 and review it ,so you can decide how early you want to get there. It opens with a very Radiohead like piano line in the background of a sullen yet dreamy mid paced indie rock in a similar vein to Glasvegas. My wife though the vocals sounded a little like Morrissey, and I hear the comparison, but Morrissey's passionate indifference influences the style of most indie rock singers. These guys are very dynamic and like their effects pedals. The get a little ore upbeat on the second song. In there more rock moments they sound like Interpol if they didn't worship Joy Division. "I Could Give You All That You Don't Want" picks up at the chorus. These guys are hooky with out being pop, calling them post-punk would imply a tension that is not here. Melancholy indie rock is a more fitting description.

The formula for "It Never Was the Same" is actually the same as the other songs they just tossed in  an effects heavy guitar "solo", by solo we are not talking shredding here. The National comes to mind on this song, but the Euro vibe is pretty dominant. There is a surprisingly cheerful vibe to "Drown So I Can Watch", then it's off into a darker gloom of synth pulsing bass line of "In Nowheres" This is one of the best songs on the album. The vocals sit back further in the effects and every thing has a more shoe gaze like filter over it despite being on of the album's more driving songs. The title track is a more droning and hazy, not their best songwriting thus far. "Pills I Swallow" falls in line with the rest of songs and adheres to their formula., the vocals are most understated in the verses. "Leave the House" is delicate and floating in effects. I think the biggest challenge for these guys live is how the song would translate into a more organic setting live.

The album ends with the ballad"Sometimes I Wish I Could Fall Asleep" which is not the most compelling song on this album and almost makes his wish come true. I'll give this a 9 it could grow on me. You might not be inspired to catch these guys on their own, but it's nothing to suffer through. I will check out what they do in the future and let this sit on my iPod. I like the mood, much less upbeat and dancy than what you think of from the Cure and it never gets dark enough or melodramatic enough to invoke the g word.