The Top 10 Pop Albums of 2026 ...so far

 

 That time of year again. These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they are really going to need to bring it to compete with the top five albums on this list. When it comes to pop, what you are not going to see much of are big mainstream radio artists that are part of the music industry machine that spits bullshit out on an assembly line with two dozen producers and even more songwriters making a product for the sheep to consume. Maybe two are adjacent to that machine, though are unlike the bulk of their peers. 

What I want from my pop is catchy songs that have actual instruments being played, rather than just empty calories being pumped into my ears. My people refer to this sort of thing as their guilty pleasures, and I do not use that term, as anyone on this list is better than vapid shit kids on TikTok are dancing to. Hip Hop has pretty much been garbage this year; only two artists have managed to rise from that trash pile to form music with depth.  There are links to full reviews if you want to check these out, and with all that said, here are the top 10 pop albums of 2026 so far. 

10-Mothica-'Somewhere In-Between"

In a shift from the dark synth pop of "Kissing Death," Mothica is shifting into a more modern metal sound that is not unlike what artists like Poppy and Spiritbox are doing. You can't accuse her of making the same album twice, which I admire.  

https://abysmalhymns.blogspot.com/2026/02/mothica-somewhere-in-between.html

9-Qveen Herby-"Isle of Qveen"

Her second album proves to be one of the few on this list that delivers what you expect you are going to get, going into though, she is much more polished this time around. She combines a catchy blend of rapping and singing. The wheel is not being re-invented, but what she does have is a smart streak of creativity and perhaps more attitude now than when I first heard her. 

 https://abysmalhymns.blogspot.com/2026/02/qveen-herby-isle-of-qveen.html

8- Nine Inch Noize- "S/t" 

Nine Inch Noize is a collaborative album between producer Alex Ridha, aka Boys Noize, and Nine Inch Nails, which is now basically just Reznor and Atticus Ross.  If you are looking for big arena-rock riffs, that is not happening, as the songs reimagined here are strictly electronic. That's not to say the synths don't have heft, and Reznor's voice roots it in the sound you expect from him. The track listing replicates their Coachella set list.. Pretty much just dance versions of  the originals, making them suited for the Coachella crowd indeed. 

https://abysmalhymns.blogspot.com/2026/04/nine-inch-noize-st.html

8-    

8-Cobrah- "Torn" 

If you combined the otherworldly alien nature of Poppy and mixed it with the hyper sex of Slayyyter, the results would be similar. Musically close to Poppy, with the electronic throb keeping the songs together. This is also an apt description of the title track that opens this album. On the second song, which is about Instagram is seductively lures you to check out her Instagram. There is a bit of a Charli XCX attitude involved in what goes down here as well. 

https://abysmalhymns.blogspot.com/2026/03/cobrah-torn.html

7-Nine Inch Noize- "s/t"

Nine Inch Noize is a collaborative album between producer Alex Ridha, aka Boys Noize, and Nine Inch Nails, which is now basically just Reznor and Atticus Ross.  If you are looking for big arena-rock riffs, that is not happening, as the songs reimagined here are strictly electronic. That's not to say the synths don't have heft, and Reznor's voice roots it in the sound you expect from him. The track listing replicates their Coachella set list. If you ever wanted to hear gay house remixes of Nine Inch Nails, well, here you go, get to boofing your Molly.

https://abysmalhymns.blogspot.com/2026/04/nine-inch-noize-st.html

6-Ghost Bells - "Caracoture"

This duo blends various sub-genres of dark electronic music into a moody but buoyant pop that feels like it is haunted by the 90s. The female vocals offer a childlike sing-song cadence to their chant. Repetition is king here and works. 

https://abysmalhymns.blogspot.com/2026/01/ghostbells-catacoture.html

5-Charli XCX-"Wuthering Heights"

  This soundtrack finds her deviating from the normal ode of operations, which are club classics, and instead draws more avant-garde classical music with weird atmosphere coating the bulk of these songs in a smart shift away from having another Brat Summer.

https://abysmalhymns.blogspot.com/2026/02/charli-xcx-wuthering-heights.html

 

4-Dalek- "Brilliance of a Falling Moon"

The new Die Antwoord has not dropped yet, so the competition when it comes to hip-hop is not as thick this year, but he broke into the top 5 this time around, thanks to songs that work off of what made hip-hop great in the 90s, but with more sonic depth and lyrical integrity. 

https://abysmalhymns.blogspot.com/2026/03/dalek-brilliance-of-falling-moon.html

3- Lights - "A6EXTENDED"

 Canadian pop songwriter Lights released an extended version of her "A6" album with 8 new songs, which is a whole ass album, that proved to be better than what the Instagram divas on the radio were rolling off the assembly line so far this year. Hooks with smarts to them in abundance here. 

https://abysmalhymns.blogspot.com/2026/02/lights-a6extended.html

2-Joji- "Piss in the Wind"

He sidestepped expectations with an oddity of an album that continues to grow on me. More organic than previous releases but also more experimental as it dips into shoegazing at times, which was not on my bingo card. More artists need to take these kinds of chances.

https://abysmalhymns.blogspot.com/2026/02/joji-piss-in-wind.html

1- Slayyyter- "WOR$T GIRL IN AMERICA"

This one was almost too close to call, and who knows what the competition for these albums might turn out to be by the end of the year, but She delivered less experimentation andd took a hookier groove approach that sticks to your ears harder than Joji's more atmospheric musings, which were still pretty potent. But this is the pop list, not the shoegaze list, so she took the top spot, as her attitude oozes what you want from pop stars in 2026.

https://abysmalhymns.blogspot.com/2026/03/slayyyter-worst-girl-in-america.html

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April's Top 10 Albums

April has breezed by already, so let's get you abreast of new releases. This might help you, casual readers, with what you might have missed.  I am not doing little blurbs on them, just linking the reviews. This helps me organize my lists for the end of the year by listing the album's genre. This does not mean that these albums have been released this month, but it is a list of new or upcoming albums I have enjoyed the most. I have albums in my in-box that won't come out until June, so I am normally way ahead of the curve in this regard. They are ranked in order of how much I have listened to them. This month, leaned more on heavy stuff ranging from Hardcore to Doom, so perhaps you will find your new favorite among them. Here are the Top 10 albums for April of 2026.

10-Nine Inch Noize- "S/t" 

 

Electronic

 

https://abysmalhymns.blogspot.com/2026/04/nine-inch-noize-st.html

9-Bad Stuff-"s/t" 

Doom- Lounge 

https://abysmalhymns.blogspot.com/2026/04/bad-stuff-st.html

8-GODTHRYMM - "Projections" 

Doom

https://abysmalhymns.blogspot.com/2026/04/godthrymm-projections.html

7-Last ten seconds of life -"The Dead Ones." 

Death-Core

https://abysmalhymns.blogspot.com/2026/04/the-last-ten-seconds-of-life-dead-ones.html

6-Sun Don't Shine -"From Birth to Death." 

Grunge

https://abysmalhymns.blogspot.com/2026/04/sun-dont-shine-from-birth-to-death.html

5-Monolord- "Neverending" 

Doom 

https://abysmalhymns.blogspot.com/2026/04/monolord-neverending.html

4-A, A Williams - "Solstice." 

Post-Pop

https://abysmalhymns.blogspot.com/2026/04/aa-williams-solstice.html

 3-Restless Spirit- "s/t." 

Stoner Metal 

 

https://abysmalhymns.blogspot.com/2026/04/restless-spirit-st.html

2-Terror - "Still Suffer." 

Hardcore 

https://abysmalhymns.blogspot.com/2026/04/terror-still-suffer.html

 1-Portrayal of Guilt- "...Beginning of the End."

 

 Power Violence 

https://abysmalhymns.blogspot.com/2026/04/portrayal-of-guilt-beginning-of-end.html

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Nine Inch Noize : "s/t"

 

Nine Inch Noize is a collaborative album between producer Alex Ridha, aka Boys Noize, and Nine Inch Nails, which is now basically just Reznor and Atticus Ross.  If you are looking for big arena-rock riffs, that is not happening, as the songs reimagined here are strictly electronic. That's not to say the synths don't have heft, and Reznor's voice roots it in the sound you expect from him. The track listing replicates their Coachella set list. 

 Mariqueen Maandig, who sings for How to Destroy Angels, also lends her voice to this project, which is first heard on "She's Gone Away". The shake the booty of "Heresy" from "the Downward Spiral". This makes it have more in common with the songs from "Pretty Hate Machine", an album they leave untouched here. It would be kind of redundant, so that is understandable. They also rework."Parasite" by How to Destroy Angels, not a cover since Maandig is involved in this project. It gets a hyper-synth wave injection, giving it more amped up drive.

"Copy of a " from "Hesitation Marks' is a dance remix that works well for what it is. This also proves the point that a good song is going to be a good song no matter what context it is presented in. "Me, I'm Not" starts off with what you think is a live recording, but it's not, though the live sounds crop up throughout the album; it's about as live as the fourth side of "Kiss Alive 2." The pumping beats continue to flow through "Me I'm Not". They continue to lean heavily on "Year Zero", which works for me as I thought it was an underrated album, and the dystopian themes are more timely. 

The only actual live track might be "Closer." It deviates less from the original than most of the songs here. The only major change is less crunch when they dig into the chorus. In fact, it feels like guitars have been intentionally removed from this album. I had to give a second listen to this version of "The Warning " to connect with me. I think I prefer the original. The only real cover here is their take on Soft Cell's "Memorabilia." This was originally a B-side to the "Closer" single. It was not the best song to begin with, but what they do works well enough here. 

"Came Back Haunted" has more grit to the bass line in this version. It drones more on the verses as the sonic throbbing pulses. Here is a song that was born for this kind of treatment. This is actually the first time I have given the song "Alive as You Need Me to Be" a solid listen, as I pretty much disregarded the Tron Ares Soundtrack. Here, it has more of a live sound until the vocals come in. It's a pretty solid song. The fact that they did not re-work a Boys Noize song tells me everything I need to know, and I'm guessing he was just twiddling knods alongside everyone else, as they are only credited with production and mixing. But as a remix album, this works. I will give it a 9.5  

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