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Showing posts with label Void of light. Show all posts
Showing posts with label Void of light. Show all posts

Monday, June 22, 2026

The Top 10 Doom / Sludge Albums of 2026... so far






Having split up the larger metal list into sub-genres, sludge and doom are getting lumped together, as let's face it, with many of these albums it is hard to fnds the line between the two.  These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they are really going to need to bring it to compete with the top five albums on this list. No matter the genre,  darkness trumps speed when it comes to heavy, so these bands reflect that sentiment. These albums provide a fitting soundtrack to the demise of the US.  I have included links to full reviews if you want to check these out, and with all that said, here are the top 10 Doom / Sludge albums of 2026 so far. 


10- Malignant Aura - "Where All of Worth Comes to Wither" 

Australian Doomsters Malignant Aura lurch into this album with the kind of dark melancholy I want from all heavy music, but expect from doom. This is the band's second album. "The Pathetic Festivals" finds them delving deeper into the death metal side of the death doom equation, with a more Morbid Angel-like feel. It features a commanding stop that emerges with a mechanical grind of the guitars.


 https://abysmalhymns.blogspot.com/2026/01/malignant-aura-where-all-of-worth-comes.html





9- Void of Liight - "Asymmetries"

Scottish sludgesters Void of Light try to label themselves as being on the more post side of things, but the vocals betray them. The band's debut full-length finds the vocals being howled with a throaty anger that overpowers some of the more ambient underpinings. But it works well for them, creating a layered approach not unlike what latter-day Neurosis used to do, but with some more overt metal riffing. With three guitars involved, there are more layers than most bands can summon. I have always stood by the fact that sludge is what happens when punks try to play metal, and this album is not proving me wrong.

https://abysmalhymns.blogspot.com/2026/03/void-of-light-asymmetries.html





  8-Gozu-"Gozu IV"


This band's 2023 album made our top 10  Stoner Rock albums for 2023. There is less of a grunge haze this time around and more of a Queens of the Stone Age-like precision, which is not shocking considering the genre they find themselves in. There is a more deliberate metal chug in places on the opener that works well for the soulful vocals to belt it out over. 


https://abysmalhymns.blogspot.com/2026/04/gozu-gozu-vi.html




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7-Godthrymm -"Projections"


The band's last album cracked the top 5 doom albums of 2023. They have always been solid, so hopes are high for this one. It starts off with the kind of commanding chug you want from metal, with the vocals carrying both grit and brooding, while still capable of the more melodic soaring vocals that bands like Solitude Aeternus and Trouble have employed.  Two of these guys hail from My Dying Bride, yet they are not digging into that brand of dark sorrow and doing their own thing, putting more of an epic-metal foot forward. https://abysmalhymns.blogspot.com/2026/04/godthrymm-projections.html




6-Monolord-"Neverending"


Sweden's doom merchants rumble out of the gates with a bigger sound this time around. Though each album has found them progressing into a more melodic direction,I like the direction they were heading on this album; the last song is a little out of character, but it retains enough of their sound. 


https://abysmalhymns.blogspot.com/2026/04/monolord-neverending.html








5-Sun Don't Shine _"From Birth to Death"


This band is one half of Type O Negative and one half of Crowbar. So as expected, it's a 90s -post-grunge collision with sludge. Kenny Hickey handles the vocals as the stoner swagger moves with monolithic grooves. It's even more impressive than you can imagine.  To their credit, it is not steeped in nostalgia but reminds me of a great time for music in the mid to late 90s when it came to this kind of post-grunge metal. Fans of both bands will appreciate it, as well as anyone looking for an awesome doomy album with stellar attention to detail when it comes to songwriting. 



https://abysmalhymns.blogspot.com/2026/04/sun-dont-shine-from-birth-to-death.html

 


4-Warning -"Rituals of Shame"


The doom band from 40 Watt Sun's main man, Patrick Walker. The most striking thing is the haunting plea of his vocals, which glide over the depressing, lingering instrumentation. Everything feels very organic; it is mixed in a manner that gives the vocals more than enough room to do their thing. The guitars are not loaded down with an overabundance of gain like most doom bands, but they ring out with despair, while the minimal patter of drums keeps things moving.It's one of the best doom albums I've heard this year so far, as it is unique in its melodic sensibilities


https://abysmalhymns.blogspot.com/2026/05/heavy-maytal-warning-rituals-of-shame.html



 


3-Restless Spirit- "s/t"


This band impressed me with their retro warmth in the production, rather than everything being reverbed out. The vocals are belted with a great deal of balls to them, and focused on melodies more than just swinging for the fence, trying to make each note more operatic than the last. They work off stoner grooves but often make me think of Only Living Witness with its catchier riffing.

 

https://abysmalhymns.blogspot.com/2026/04/restless-spirit-st.html





2-Blackwater Holylight - "Not Here Not Gone"

Driven by fuzzy overdrive and the languid croon of Sunny Faris,t coasts in the middle of the bong-worshipping rumble. Sure, elements of shoegaze and psych rock come together at varied points as the song progresses, but it moves more conventionally than previous efforts. Thankfully, not abandoning the jammy flow that has characterized most of what I have heard from them before, is still very much in play to create a more organic feeling. 


 https://abysmalhymns.blogspot.com/2026/01/blackwater-holylight-not-here-not-gone.html





1-Neurosis -"An Undying Love For a Burning World"


With the official start of World War 3 underway today, how could Neurosis not reconvene to drop a new album? Aaron Turner is replacing Scott Kelly. It's pretty seamless considering this. There is a hint of rock n' roll, but both Isis and Sumac are heavily influenced by Neurosis, so it seems like a natural fit and flows very organically. It's back to the dissonant sludge heaviness with an angular crunch moving the riffs.I think it opens a new chapter that holds up well against their legacy, even in the absence of Kelly. 




pst267

Tuesday, March 3, 2026

Void of Light : "Asymmetries"

 




Scottish sludgesters Void of Light try to label themselves as being on the more post side of things, but the vocals betray them. The band's debut full-length finds the vocals being howled with a throaty anger that overpowers some of the more ambient underpinings. But it works well for them, creating a layered approach not unlike what latter-day Neurosis used to do, but with some more overt metal riffing. With three guitars involved, there are more layers than most bands can summon. I have always stood by the fact that sludge is what happens when punks try to play metal, and this album is not proving me wrong. For an almost 11-minute opening track, they just sprawl things out , so one might surmise that punks who started smoking weed more than they drank is what fueled this genre of music. 

Only two of the five songs are not 10-minutes long. With that said, "Silver Mask" is 9 minutes long. It is also driven by a pretty mean chug. Moving with more locomotion than doom, the momentum breeds tension, and they have the riffs ready for the payoff. Cleanly sung vocals fly up in the background, but the coarse bark is the narrative at the forefront. The softer vocals shift position midway through the song when it descends into a more melancholy atmosphere. "Ends" is a more aggressive shift to an in-your-face hardcore assault. Which tracks, as there is a great deal of crossover in the early sludge scene with hardcore bands.  Miway into the song, things ebb down into a more melodic brooding, before hurling into a more blackened section. 

"Still Night Skies" is darker, with the heavier sections being pretty catchy, though the song rides a stormy tension. The song touches on a great deal of different dynamic places over the course of its ten minutes, which I appreciate, as they at least use the time wisely if they are going to sprawl things out. The last song almost has a more Tool-like hypnotic slither that captures you with its serpentine groove. The vocals take on a more baritone croon midway through the song.This touches on the more progressive side of the band.I will give this one a 9.5, and see how it grows on me while it is a bit on the longwinded side when it comes to the songwriting style , there is enough going on to remain engaging, fans of sludge metal should make this a priority. Out April 3rd on Ripcord Records.





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