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Showing posts with label the Young Gods. Show all posts
Showing posts with label the Young Gods. Show all posts

Wednesday, December 10, 2025

The Top 10 Industrial Albums of 2025





Nothing is a more fitting soundtrack to watching the world unravel into a dystopian nightmare than Industrial? You would think fans of the genre would be celebrating this, but from what I have seen online, they are crying under the covers like the rest of the sheeple. If you are someone who believes that leaning into the end should be celebrated since it is a natural destination in the cycle, then you might appreciate the mood these albums created as much as I did.  After I sort through the top 10 albums of all the respective genres, I use those lists to compile the top 10 albums of 2025. The very fact that these bands made it on the list speaks to how great these albums are, so it's not a slight that the number 8 album is above the 9th album; there is something that just gives it an edge that makes me want to listen to it more. After all, we can try to look cool and pick the hippest bands for a list, but at the end of the day, what makes an album the best is that it makes you want more, and you look forward to listening to it again. Perhaps you can find your next favorite on this list, and I have included links to reviews of these albums if you want to check out the audio on these guys. Anyway, here are the top 10 Industrial albums of 2025.




10-King Yosef- "Spire of Fear." 

This project has always leaned in the direction of the abrasive end of industrial. This album pushed that even further with its increasingly confrontational aggression. Sonically harrowing would be one way to describe what is going down here. The mechanical stomp of industrial music is captured here,  but with a very reverb-drenched mix that sets the vocals at the end of a dark tunnel

https://abysmalhymns.blogspot.com/2025/08/king-yosef-spire-of-fear.html

 


       

 9-Dark Sky Burial - 'Sacred Neurotic" 


It is interesting when metal heads take things in a different direction; most tend to go in a darker goth, post-punk, or industrial vein, and Shane Embry's project leans into the latter.  Though being from Napalm Death, you might expect things to go head in a Godflesh direction. That is not the case. There is a melodic edge, and thanks to his collaborator  Carl Stokes, there is a trippy element to the sound that brings to mind projects like Tear Garden, Psychic TV, and Legendary Pink Dots with a break beat that often builds into a more aggressive industrial-strength vocal. 


https://abysmalhymns.blogspot.com/2025/12/dark-sky-burial-sacred-neurotic.html

 




8-Linx- "Annihilation" 

This industrial rock duo hails from Canada, a country that has been exporting some pretty decent music lately. Vocalist Zee Jaber, uses her voice in a more rock manner, rather than a blunt instrument like so many industrial bands do. Though a couple of songs into things, she employs a harsher metal snarl. The songs might work off the '90s formula of '90s build-up on the chorus, but the flow well from electronic pulses to more of a Fear Factory feel. 

https://abysmalhymns.blogspot.com/2025/08/linx-annihilation.html

 


7-Ministry -" The Squirrelly Years Revisted"

 The joke about back when Ministry sounded like Depeche Mode wore thin on Uncle Al, as he had begun to polish off the early songs for live sets even before releasing their last album. This is a re-recording of the songs from the "Twitch" and "With Sympathy" era. The vocals are more in line with how Al sings now. Sometimes the guitars are providing more heft, but on a song like "Here We Go," things are pretty much like they were back in the day, with the more new wave-leaning dance beats driving the hot rod that Jesus built. In some cases, this works just well enough. 





 

6-Black Cross Motel - "Songs For Switches." 


This band's 2022 album made it to the number spot on the year's Top 10 Goth Albums list. This time around, they kick things off with a more guitar-forward approach and a more aggressive industrial energy behind some straight-up metal riffs. Once again, the guitarist from Stabbing Westward is teaming up with members of the Atlas Moth to bring this weird and wonderful sound to life. Synths help set the tone for the darker undertones, which find a creepy ambiance settling over the march of discontent. They have captured a sound that could have come from the post-Manson goth rock golden years. 


https://abysmalhymns.blogspot.com/2025/10/gothtober-black-cross-hotel-songs-for.html





 5- Youth Code - "Yours With Malice." 

It brings newly refined sounds that are topped off with a vengeful hook. Sara Taylor's angry snarl is chanted like an apocalyptic cheerleader, in a similar style and cadence as the previous song. This, along with the fact that the bouncing synth sounds are not far removed from what they already hit you with, creates an almost "Pretty Hate Machine" feel.>On previous releases, they felt more like a militant version of Skinny Puppy, so this might be more neon lit, and not as dark, as say 'A Place to Stand' They employ more dynamics this time around. 


https://abysmalhymns.blogspot.com/2025/04/youth-code-yours-with-malice.html




 4- the Young Gods - "Appear Disappear." 

This Swiss band influenced everyone from David Bowie in his industrial days to Faith No More. Since 1987, their sound has been at the very least industrial adjacent, and they have always been ahead of their time. So if you hear a song and think it sounds like Nine Inch Nails, the truth is Nine Inch Nails sounds like them. Perhaps this album is not as cinematic as some of their mid-period work it does not sound like they are stuck in the 90s or wrestling for relevancy. Franz Treichler might not be bellowing it out like he once did, but his voice has held up well. 

https://abysmalhymns.blogspot.com/2025/09/the-young-gods-appear-disappear.html



3-Street Sects  "Dry Drunk." 

The first new album from the industrial duo in 7 years finds them snarling back with a renewed chaotic aggression. It chronicles the stint of sobriety Leo Ashline has as well as the relapse that followed. Ben Chisholm from Chelsea Wolfe's band produced this. They pick up where they left off, with a bad attitude that sounds like Virgin Prunes jamming with Full of Hell. It takes a few listens to really sink in, but it has equal doses of fragmented groove and glitched-out noise.  It all ends up coming together. 

 https://abysmalhymns.blogspot.com/2025/08/street-sects-dry-drunk.html




2-HEALTH- "CONFLICT DLC." 


Given how much I like these guys, it might be a surprise they did not take the number one spot, but the project that did evolve more into something different, where this band just streamlined and created a hookier, more accessible version of what they were already doing, maybe adding a vvitch house beat here and there, even then it was a close call, and give that this album is just now dropping vs an album I have had more time to spend with they landed here. 







1-Author & Punisher - "Nocturnal Birding' 
This is the first album that finds guitarist Doug Sabolick joining as a bandmate, which contributes to the more rock feel to things. Every song has a bird theme. There is a more overt industrial crunch to the amazing stomp this album carries n."s. Megan from Couch Slut, lends her voice to the ruckus erupting, with more detailed layers of melody luring you into one of the year's best industrial songs. The addition of guitar offers a big step forward, even if it moves them marginally closer to the conventions of industrial rock. The genre itself allows and fosters experimentation that creates almost an anything-goes attitude. This song and the previous song have been the noisiest so far, with this texture being most effective here.  

https://abysmalhymns.blogspot.com/2025/09/author-punisher-nocturnal-birding.html


Thanks for reading. Please "like" and share on social media to give music a voice 

https://www.facebook.com/abysmalhymns

Check out our Podcast here ... https://www.youtube.com/@abysmalhymns666

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Wednesday, October 1, 2025

September's Top 10 Albums




It's time for September's top 10 albums. Staying abreast of the month's highlights may help casual readers catch up on what they missed and explore these artists. I am not writing brief summaries of them; I am simply linking to the reviews. Inclusion here does not mean that these albums have been released this month, but it is a list of new or upcoming albums I have enjoyed the most. I have albums in my inbox that are not coming out til 2026, so I am normally way ahead of the curve in this regard. They are ranked in order of what I have listened to the most. This month, there is only a marginal variety for some reason. I was just listening to heavy shit, with a little industrial, death rock, and noise rock wedged in with death metal albums, which seemed the dominant force this month. So if you are feeling pissed or anxious, maybe you will find your new favorite among them. Here are the Top 10 albums of September. 



10-theYoung Gods- "Appear Disappear" 


Industrial / Experimental 


https://abysmalhymns.blogspot.com/2025/09/the-young-gods-appear-disappear.html



 8-Today is the day-"Never Give In" 


Noise Rock




7-Blindfolded and Led to the Woods -The Hardest Thing About Being God is that No One Believes Me"


Death Metal 





6-Evoken- "Mendacium" 


Funeral Doom




5-Alter de Fey- "Under a Waxing Moon" 


Death Rock 





4-Internal Bleeding-"Settle All Scores" 


Death Metal 





3-Coroner -"Dissonance Theory" 

Progressive Thrash 




2-Sanguissugabogg- "Hideous Divinity" 


Death Metal 





1-Author & Punisher - "Nocturnal Birding" 

Industrial 


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Monday, September 8, 2025

the Young Gods : "Appear Disappear"

 




This Swiss band influenced everyone from David Bowie in his industrial days to Faith No More. Since 1987, their sound has been at the very least industrial adjacent, and they have always been ahead of their time. So if you hear a song like "Systemized' and think it sounds like Nine Inch Nails, the truth is Nine Inch Nails sounds like them. Perhaps this album is not as cinematic as some of their mid-period work it does not sound like they are stuck in the 90s, nor does it sound like they are wrestling for relevancy. Franz Treichler might not be bellowing it out like he once did, but his voice has held up well. When things build up a bit on "Blue Me Away," he gets the job done. 

This album also finds them still employing the funk elements that marked previous work are still present even amid the dystopian throb."Hey Amour" finds the vocals ebbing into the shifting dynamics, as the tension simmers for release. It's on the more electronic pulse or "Blackwater" that I hear the Killing Joke influence on these guys. It builds into more of a groove that creates something  smoother than what you expect from industrial music, not that these guys have ever been devoted to one style. The general drone of the song sets up the dynamic shift. 

As someone who has been a fan of these guys since the 90s, it's easy to take a granted the experimental arrangements and how they blend electronic atmosphere with more organic rock crunch. I can't imagine what someone who is hearing this for the first time might be thinking when things begin to get weird. They get into almost progressive territory with the way "Tu En Ami Du Temps" shifts around from the punchy percussion.  "Interidal" is pretty trippy, while it vibes into a more trance-inducing tapestry of sound. It might be one of my favorite moments from this album.

They continue to ebb and flow from the electronic grooves they are known for into more dynamic rock riffage, without sounding dated, as it is clearly something made popular in industrial rock music during its 90s heyday. The vocals are slightly detached at times because they do not have effects on them and are left out to dry in this cyberpunk landscape of sound. But this manages to work. "Shine That Drone" finds it taking on a more hypnotic pulse as they muse on the state of the world more speculatively. The only thing that does not always measure up to their past works is that the vocal approach tends to lean into a hushed chant, which feels more refrained, making the vocals often a layer of narrative rather than the emotional core of the song, but this still manages to be effective, since they are jamming off so many layers of mesmerizing sound. I will give this album a 9.5 and see how it grows on me, but fans of this band continue to get what they want from them. 

Thanks for reading, give a listen to the song below, and  please "like" and share on social media to give music a voice 

https://www.facebook.com/abysmalhymns

Check out our Podcast here ... https://www.youtube.com/@abysmalhymns666


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