3-Genghis Tron- "Signal Fire"
darker shades of metal, hymns of goth and post-punk ...all for the worship of darkness
Monday, June 29, 2026
The Top 10- Rock Albums of 2026... so far
Monday, March 2, 2026
February's Top 10 Albums
Friday, February 6, 2026
Puscifer : "Normal Isn't"
Monday, September 30, 2024
Gothtober - Night Club : "Masochist"
I reviewed their 2018 album "Scary World' this time things are even more polished. Maynard lends his voice to the opening track. This gives things more of a Puscifer feel despite his voice sharing the spotlight in the mix with Emily's.. "Barbwire Kiss". A disco bass line drives "Another Side of You". Not the first time disco has been fused with dark music., though here it is in a slicker more pop-minded manner than what My Life With the Thrill Kill Kult has done. Emily's vocal lines are also hookier this time around which plays to their favor.
"Crime Scene' has a decent groove, but does not grab me as strongly as the first three songs. It carries a more 80s feel to it especially when it comes to the big chorus. Though the production is very 2024. "Let's Play Revenge' feels like it should be the theme song of a teen horror movie. Despite the coy lyrics it's not that dark of a song and finds them back in a more disco mode. I can hear "The Lunatics Have Taken Over the Asylum" making into the rotation of a goth nite. There is almost a Britney Spears-like thump to "Pretty Girls Do Ugly Things".
'Fatal Crush' is another darker pop slapper. It is not as sultry as the previous song but works pretty well. Emily is not working with the best pipes in the business but she makes wise choices of where to put her voice. It's back to disco for "Everybody Knows". I will give this album a 9, it moves in a more disco direction but the slicker pop angle works well for it.
pst471
Wednesday, November 4, 2020
Puscifer : "Existential Reckoning"
The first song falls more in line with the last A Perfect Circle album, softer and more focused on atmosphere, like a more indie lo fi version of Depeche Mode. It is well produced and the vocals sit just right in the mix . They nailed the sound they are going for and Maynard makes an effort that the song writing. Very synth oriented. Not that this project has not always been in that vein, it is not as focused on the groove as "the Conditions of My Parole" . "Apocalyptical" finds the vocals dancing around 80s like synth wave. There is more movement to this song so I prefer it to the opener. There is also a more defined guitar riff to this one. Not rock music, but looking in that direction. Things get progressively more interesting with each song.
A more solid sense of groove develops on "the Underwhelming" . "Grey Area" finds the more synth wave sounds returning , but with more motion in the ocean, and guitar accents to create an almost heavy feel. Then "Theorem" sounds like it was made with children's toys. There are interesting sounds , but not sure it's the best song. "Upgrade" sounds like if androids wrote a song for Depeche Mode. Maynard's voice sounds better on "Bullet Train to Iowa". If he puts effort into it his voice alone can save most songs, the problem is he sometimes wants to wander around the songs. "Personal Prometheus" grew on me, the composition is interesting and subtle. Lyrically it is also one of the strongest songs.
The way the vocals create a narcotic throb with "A Singularity " works well even with the 80s sounds around it. This could very well have been a Phil Collins song with a different approach to the vocals . The pace picks up a little for "Postulous" , that is more than enough groove for me. He finally puts some balls to his voice on "Fake Affront" /You can tell there is some Kate Bush influence on how the vocals fall when the song builds. I like hearing his lower register on the vocal going into the last song. I will give this album a 9.5 as it is one of the best releases from this project, and more interesting than the last Tool album.
Friday, October 23, 2015
Puscifer : " Money Shot"

Tool used to be one of my favorite bands. A Perfect Circle was up there as well. Puscifer seemed like Maynard's stab at doing his own Massive Attack , but heavy on the jokes. The first album he mainly used his lower range and further separated himself from being the voice of Tool. First off the album sounds great but sounds best through head phones. More focused on songs and less focused on jokes , with more of an emphasis placed on songs. Closely harmonized with female voices it sounds like this could have been written for a Perfect Circle album that never happened. Former Ministry bassist Paul Barker lays down a groove to "Agostina" is slinky and dark setting the perfect ground work for Keenan to croon over. I don't think Keenan's pipes are going to be in question, he brings the vocals up into a mellower mid-range tenor. "Grand Canyon" is pretty transcendent , but it not as dark as the previous songs so it takes a little to get use to it.
"Simultaneous" opens with a sampled narrative. Its a less organic composition relying on the synths. Its until four minutes in that vocals comes before the over driven bass line and it turns into a real song. Title track whose video is featured below has a more 90s rock like beat to it. It's not metal or anything like Tool, in fact it's closer to something Tomahawk might do. There is some electronic weirdness that collides with it before going into the second verse. There is more atmosphere to "the Arsonist" that comes close to being a ballad. Lyrically this might be one of the better songs, the line "Your social skills resemble arson". It does build at the chorus and the synths get hard with the bass in manner that Perfect Circle might have been more eager to stomp on the distortion for. The despite the driving drums there is a kraut rock feel to the intro of "the Remedy" before dropping down to an ode to unruly house guests. Things get a shade darker with "Smoke and Mirrors". But this is not the albums most interesting song. In a similar dynamic range somewhere between the Cure and darker electronic the vocal work on "the Life of Brian" works much better.
Dynamically "Autumn" takes a few cues from the "13th Step" album. Things have found a better balance here. We will see how this one stands the test of time, Puscifer has generally not last long in my iPod as much like his other projects is in a middle ground that I don't normally dwell on. It's either heavy or ethereal and surreal. I think since this is not a rock album that makes "Money Shot" relevant in a way I am afraid the next Tool album won't be if it ever sees the light of day. I'll round it up to a 9.





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