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Showing posts with label Puscifer. Show all posts
Showing posts with label Puscifer. Show all posts

Monday, June 29, 2026

The Top 10- Rock Albums of 2026... so far






As the Doomsday Clock races, time speeds up, as 2026 is at its midpoint. These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they will need to bring it to compete with the top five albums on this list. Rock is anything that's not metal, so both progressive and hard rock bands are included here. Yes, there might be a few screams on these albums, but when stacked against the bands on the metal list, it's clear that these bands belong here. Some I weighed against putting on the pop list, but they are more rock than not. I have included links to full reviews if you want to check these out, and with all that said, here are the top 10 rock albums of 2026 so far. 


10-Armored Saint - " Emotion Factory Reset"
 

The last album I spent much time with by these guys was "Symbol of Salvation", but this album does not find the band straying too far from what they worked on there. The album carries a great deal of momentum with some unconventional sounds.The album sounds great and not dated, John's voice shows little wear and tear,








 9-Puscifer - "Normal Isn't" 

In prepping for the album's release Maynard dropped a "gpth" plalist of songs that were supposedly the inspiration for this album, along with the promo shots showing the band in darker make-up, while I am not surprised that he knows who Tones on Tail is, this is not a goth album, though there are more reverb drenched guitars in the opening track, I would not all it goth. In fact, the title track reminds me more of Devo. But you can here slight Gary Numan influence lurking around if you are the kind of savant like I am who can detect these sorts of things to draw that connection. But it's Maynard, so better than most. 











 8-Gus G- "Steel Burner" 


 I almost let Gus's new solo album fly under my radar. But that would have been a shame because he is obviously metal as fuck, having played with Ozzy and Firewind.  When it comes to shredding hard rock he does a great job of it.

 7-Hoaxed- "Death Knocks" 

This album makes no attempt at draping things in goth window dressing, and we get to see who Hoaxed are: a grunge band. The riffs are more arena-rocking, even when they add tension to a song like "Kill Switch", which at times finds them beginning to drift toward the more straight-up rock n' roll side of grunge. Sonically, they hold a great deal of common ground with the Pretty Reckless, though with more of a penchant for minor ket melodies. 


 



 6-Julez and the Rollers -Dirty Little Rock N Roller" 

Yes, this is the band with the super-hot drummer. They also happen to write decent songs and are more rock than expected. Going into this, I expected something more like the Beaches. It's more power-pop than the shake your booty kinda of pop you hear on the radio. First off, these gals are playing real instruments and are more like a less punk version of the Runaways.











 5-Muse-"The WOW !. Signal"

These guys used to be one of my favorite bands, but being on the radio for too long caused them to take a left turn into grandiose symphonic disco, andd I lost interest. Those elements are all present on this new album. In fact, they meet you at the front door on the first two songs, but the songwriting seems to be a little more focused. Perhaps they never lost focus, and I just need to dig back into the albums I paid less attention to and give them a second chance. This album si great and a powerful return to form for them








 4-Starbenders- "the Beast Goes On" 

On the pop side of glam rock, they do indulge in a more biting dynamic upon occasion, but their strength seems to be leaning into this 80s-drenched sound that marries Pat Benatar and Cyndi Lauper. Music is not created in a vacuum, so the title track that opens the album is darker andd with some Ghost-like aspirations in how it's mixed and the overall vibe to some extent, as it feels like a late 60s hippie-garage for of spooky like Coven or Shocking Blue, but hookier than Muse this time around.

 





 3-Genghis Tron- "Signal Fire"

Every five years is the average release rate for this band, as this marks the fourth album of their 20-year career. Their first album, "Dead Mouth Mountain," blended early metalcore sounds with electronics, and they have been slowly evolving past the more abrasive elements of this formula. Their new album puts the band closer to what someone like HEALTH does, though less industrial in their intentions. The balance of atmospheric and edge is more enthralling here, as it is full of hooks. Where the last album stepped away from harsher vocals, they are back in the mix here, but used as more of a dynamic vocal color. 







 2-Deftones -"Eros"

These are 80 percent finished demos, not sure what they still had left to do on them, as it sounds like I would expect an album from this era to sound.  There was a porn theme to this album, and all the songs are named after a woman, presumably a porn star.  Though the lyrics are typical abstract Chino metaphors crooned against a dreamy shoegaizing backdrop. Given the nature of this release in its raw format, it is better than some of their 2000s albums








 1-Karnivool-"In Verses"

Australia's Karnivool have been around for almost 30 years, but this is their fourth album, meaning they are very calculated and meticulous when writing and producing music. Which can be heard on this album. They are not prog in the sense that there is a ton of guitar solos, but subtly shifting arrangements with djent-like time changes bubbling up under anthemic rock songs that are also very moody and melodic.



pst279

Monday, March 2, 2026

February's Top 10 Albums





Another February is done, so let's get you abreast of new releases. This might help you, casual readers, with what you might have missed.  I am not doing little blurbs on them, just linking the reviews. This helps me organize my lists for the end of the year by listing the album's genre. This does not mean that these albums have been released this month, but it is a list of new or upcoming albums I have enjoyed the most. I have albums in my in-box that are not coming out til June, so I am normally way ahead of the curve in this regard. They are ranked in order of what I have listened to the most. This month, there is a wide variety from pagan folk pop to grind-core to black metal, so perhaps you will find your new favorite among them. Here are the Top 10 albums for February of 2026.




10-Mothica- "Somewhere In Between." 

Pop




9-Final Gasp -"New Day Symptoms." 


Dark Hardcore 





Industrial 


pst85

Friday, February 6, 2026

Puscifer : "Normal Isn't"







In prepping for the album's release Maynard dropped a "gpth" plalist of songs that were supposedly the inspiration for this album, along with the promo shots showing the band in darker make-up, while I am not surprised that he knows who Tones on Tail is, this is not a goth album, though there are more reverb drenched guitars in the opening track, I would not all it goth. In fact, the title track reminds me more of Devo. But you can here slight Gary Numan influence lurking around if you are the kind of savant like I am who can detect these sorts of things to draw that connection.

"Bad Wolf" is the most recent single and finds a bass line as the anchoring holding the groove down. It holds a tension not unlike what A Perfect Circle does at times. Most of what I hear as Bauhaus influence comes from the guitar tones, then it is typically on effects, opening tracks like"Self Evident". It's one of the more driving songs so far. This album feels heavier than the last A Perfect Circle album. "Public Stoning" opens in a way that reminds me more of Fugazi. 

"The Quiet Parts" is more like an A Perfect Circle, as Maynard is singing in his more ballad-ready, subdued voice. "Mantastic" is not sonically anything new, and really, neither is it lyrically just more heavy-handed. It grooves enough so it works from that angle. "Pendulum" feels more like old Depeche Mode without the vocal hooks. "ImpetuoUs" works better as the vocals flow with the music. "Seven One" feels like an interlude from David Bowie's "Outside" album. The last song is live, but it was released on the new "American Pyscho" soundtrack in 2024, so I will count it as new. It's about typical for what you expect from them. I will give this album a 9.5. It has some great grooves, and obviously, Maynard knows what he is doing, and if you like what he does, it delivers. 




pst51

Monday, September 30, 2024

Gothtober - Night Club : "Masochist"





I reviewed their 2018 album "Scary World' this time things are even more polished. Maynard lends his voice to the opening track. This gives things more of a Puscifer feel despite his voice sharing the spotlight in the mix with Emily's.. "Barbwire Kiss". A disco bass line drives "Another Side of You". Not the first time disco has been fused with dark music., though here it is in a slicker more pop-minded manner than what My Life With the Thrill Kill Kult has done.  Emily's vocal lines are also hookier this time around which plays to their favor. 

"Crime Scene' has a decent groove, but does not grab me as strongly as the first three songs. It carries a more 80s feel to it especially when it comes to the big chorus. Though the production is very 2024. "Let's Play Revenge' feels like it should be the theme song of a teen horror movie. Despite the coy lyrics it's not that dark of a song and finds them back in a more disco mode. I can hear "The Lunatics Have Taken Over the Asylum" making into the rotation of a goth nite.  There is almost a Britney Spears-like thump to "Pretty Girls Do Ugly Things".

'Fatal Crush' is another darker pop slapper. It is not as sultry as the previous song but works pretty well. Emily is not working with the best pipes in the business but she makes wise choices of where to put her voice. It's back to disco for "Everybody Knows".  I will give this album a 9, it moves in a more disco direction but the slicker pop angle works well for it. 

pst471

Wednesday, November 4, 2020

Puscifer : "Existential Reckoning"

 




The first song falls more in line with the last A Perfect Circle album, softer and more focused on atmosphere, like a more indie lo fi version of Depeche Mode. It is well produced and the vocals sit just right in the mix . They nailed the sound they are going for and Maynard makes an effort that the song writing. Very synth oriented. Not that this project has not always been in that vein, it is not as focused on the groove as "the Conditions of My Parole" .  "Apocalyptical"  finds the vocals dancing around 80s like synth wave. There is more movement to this song so I prefer it to the opener. There is also a more defined guitar riff to this one. Not rock music, but looking in that direction. Things get progressively more interesting with each song. 

A more solid sense of groove develops on "the Underwhelming" . "Grey Area" finds the more synth wave sounds returning , but with more motion in the ocean, and guitar accents to create an almost heavy feel. Then "Theorem" sounds like it was made with children's toys. There are interesting sounds , but not sure it's the best song. "Upgrade" sounds like if androids wrote a song for Depeche Mode. Maynard's voice sounds better on "Bullet Train to Iowa". If he puts effort into it his voice alone can save most songs, the problem is he sometimes wants to wander around the songs. "Personal Prometheus" grew on me, the composition is interesting and subtle. Lyrically it is also one of the strongest songs.

The way the vocals create a narcotic throb with "A Singularity " works well even with the 80s sounds around it. This could very well have been a Phil Collins song with a different approach to the vocals . The pace picks up a little for "Postulous" , that is more than enough groove for me. He finally puts some balls to his voice on "Fake Affront" /You can tell there is some Kate Bush influence on how the vocals fall when the song builds. I like hearing his lower register on the vocal going into the last song. I will give this album a 9.5 as it is one of the best releases from this project, and more interesting  than the last Tool album.

Friday, October 23, 2015

Puscifer : " Money Shot"



Tool used to be one of my favorite bands. A Perfect Circle was up there as well. Puscifer seemed like Maynard's stab at doing his own Massive Attack , but heavy on the jokes. The first album he mainly used his lower range and further separated himself from being the voice of Tool.  First off the album sounds great but sounds best through head phones. More focused on songs and less focused on jokes , with more of an emphasis placed on songs. Closely harmonized with female voices it sounds like this could have been written for a Perfect Circle album that never happened. Former Ministry bassist Paul Barker lays down a groove to "Agostina" is slinky and dark setting the perfect ground work for Keenan to croon over. I don't think Keenan's pipes are going to be in question, he brings the vocals up into a mellower mid-range tenor. "Grand Canyon" is pretty transcendent , but it not as dark as the previous songs so it takes a little to get use to it.

 "Simultaneous" opens with a sampled narrative. Its a less organic composition relying on the synths. Its until four minutes in that vocals comes before the over driven bass line and it turns into a real song. Title track whose video is featured below has a more 90s rock like beat to it. It's not metal or anything like Tool, in fact it's closer to something Tomahawk might do. There is some electronic weirdness that collides with it before going into the second verse. There is more atmosphere to "the Arsonist" that comes close to being a ballad. Lyrically this might be one of the better songs, the line "Your social skills resemble arson". It does build at the chorus and the synths get hard with the bass in manner that Perfect Circle might have been more eager to stomp on the distortion for. The despite the driving drums there is a kraut rock feel to the intro of "the Remedy" before dropping down to an ode to unruly house guests. Things get a shade darker with "Smoke and Mirrors". But this is not the albums most interesting song. In a similar dynamic range somewhere between the Cure and darker electronic the vocal work on "the Life of Brian" works much better.

 Dynamically "Autumn" takes a few cues from the "13th Step" album. Things have found a better balance here. We will see how this one stands the test of time, Puscifer has generally not last long in my iPod as much like his other projects is in a middle ground that I don't normally dwell on. It's either heavy or ethereal and surreal. I think since this is not a rock album that makes "Money Shot" relevant in a way I am afraid the next Tool album won't be if it ever sees the light of day. I'll round it up to a 9.