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Showing posts with label Starbenders. Show all posts
Showing posts with label Starbenders. Show all posts

Monday, June 29, 2026

The Top 10- Rock Albums of 2026... so far






As the Doomsday Clock races, time speeds up, as 2026 is at its midpoint. These lists serve as a decent snapshot of where the year is heading in terms of music. I have already received promos for albums dropping as far out as August in my inbox, so they will need to bring it to compete with the top five albums on this list. Rock is anything that's not metal, so both progressive and hard rock bands are included here. Yes, there might be a few screams on these albums, but when stacked against the bands on the metal list, it's clear that these bands belong here. Some I weighed against putting on the pop list, but they are more rock than not. I have included links to full reviews if you want to check these out, and with all that said, here are the top 10 rock albums of 2026 so far. 


10-Armored Saint - " Emotion Factory Reset"
 

The last album I spent much time with by these guys was "Symbol of Salvation", but this album does not find the band straying too far from what they worked on there. The album carries a great deal of momentum with some unconventional sounds.The album sounds great and not dated, John's voice shows little wear and tear,








 9-Puscifer - "Normal Isn't" 

In prepping for the album's release Maynard dropped a "gpth" plalist of songs that were supposedly the inspiration for this album, along with the promo shots showing the band in darker make-up, while I am not surprised that he knows who Tones on Tail is, this is not a goth album, though there are more reverb drenched guitars in the opening track, I would not all it goth. In fact, the title track reminds me more of Devo. But you can here slight Gary Numan influence lurking around if you are the kind of savant like I am who can detect these sorts of things to draw that connection. But it's Maynard, so better than most. 











 8-Gus G- "Steel Burner" 


 I almost let Gus's new solo album fly under my radar. But that would have been a shame because he is obviously metal as fuck, having played with Ozzy and Firewind.  When it comes to shredding hard rock he does a great job of it.

 7-Hoaxed- "Death Knocks" 

This album makes no attempt at draping things in goth window dressing, and we get to see who Hoaxed are: a grunge band. The riffs are more arena-rocking, even when they add tension to a song like "Kill Switch", which at times finds them beginning to drift toward the more straight-up rock n' roll side of grunge. Sonically, they hold a great deal of common ground with the Pretty Reckless, though with more of a penchant for minor ket melodies. 


 



 6-Julez and the Rollers -Dirty Little Rock N Roller" 

Yes, this is the band with the super-hot drummer. They also happen to write decent songs and are more rock than expected. Going into this, I expected something more like the Beaches. It's more power-pop than the shake your booty kinda of pop you hear on the radio. First off, these gals are playing real instruments and are more like a less punk version of the Runaways.











 5-Muse-"The WOW !. Signal"

These guys used to be one of my favorite bands, but being on the radio for too long caused them to take a left turn into grandiose symphonic disco, andd I lost interest. Those elements are all present on this new album. In fact, they meet you at the front door on the first two songs, but the songwriting seems to be a little more focused. Perhaps they never lost focus, and I just need to dig back into the albums I paid less attention to and give them a second chance. This album si great and a powerful return to form for them








 4-Starbenders- "the Beast Goes On" 

On the pop side of glam rock, they do indulge in a more biting dynamic upon occasion, but their strength seems to be leaning into this 80s-drenched sound that marries Pat Benatar and Cyndi Lauper. Music is not created in a vacuum, so the title track that opens the album is darker andd with some Ghost-like aspirations in how it's mixed and the overall vibe to some extent, as it feels like a late 60s hippie-garage for of spooky like Coven or Shocking Blue, but hookier than Muse this time around.

 





 3-Genghis Tron- "Signal Fire"

Every five years is the average release rate for this band, as this marks the fourth album of their 20-year career. Their first album, "Dead Mouth Mountain," blended early metalcore sounds with electronics, and they have been slowly evolving past the more abrasive elements of this formula. Their new album puts the band closer to what someone like HEALTH does, though less industrial in their intentions. The balance of atmospheric and edge is more enthralling here, as it is full of hooks. Where the last album stepped away from harsher vocals, they are back in the mix here, but used as more of a dynamic vocal color. 







 2-Deftones -"Eros"

These are 80 percent finished demos, not sure what they still had left to do on them, as it sounds like I would expect an album from this era to sound.  There was a porn theme to this album, and all the songs are named after a woman, presumably a porn star.  Though the lyrics are typical abstract Chino metaphors crooned against a dreamy shoegaizing backdrop. Given the nature of this release in its raw format, it is better than some of their 2000s albums








 1-Karnivool-"In Verses"

Australia's Karnivool have been around for almost 30 years, but this is their fourth album, meaning they are very calculated and meticulous when writing and producing music. Which can be heard on this album. They are not prog in the sense that there is a ton of guitar solos, but subtly shifting arrangements with djent-like time changes bubbling up under anthemic rock songs that are also very moody and melodic.



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Wednesday, April 1, 2026

March's Top 10 Albums




March is now in the rearview, so let's get you abreast of new releases. This might help you, casual readers, with what you might have missed.  I am not doing little blurbs on them, just linking the reviews. This helps me organize my lists for the end of the year by listing the album's genre. This does not mean that these albums have been released this month, but it is a list of new or upcoming albums I have enjoyed the most. I have albums in my in-box that are not coming out til June, so I am normally way ahead of the curve in this regard. They are ranked in order of what I have listened to the most. This month, there is a wide variety from Sudge to pop to post-punk, so perhaps you will find your new favorite among them. Here are the Top 10 albums for March of 2026.


10-Dalek- "Brilliance of a Falling Moon." 

Hip-hop

https://abysmalhymns.blogspot.com/2026/03/dalek-brilliance-of-falling-moon.html


9-Fotocrime- "Security" 


Post-punk


https://abysmalhymns.blogspot.com/2026/03/fotocrime-security.html


8-Lair of the Minotaur- "I Hail I." 


Hardcore- Sludge


https://abysmalhymns.blogspot.com/2026/03/lair-of-minotaur-i-hail-i.html


7-Starbenders - 'The Beast Goes On" 


new-wave


https://abysmalhymns.blogspot.com/2026/03/starbenders-beast-goes-on.html


6-Traitrs-"Possessor" 


https://abysmalhymns.blogspot.com/2026/03/traitrs-possessor.html


5-Poison Ruin- "Hymns From the Hills" 


Punk


https://abysmalhymns.blogspot.com/2026/03/poison-ruin-hymns-from-hills.html


4-Slayyyter - "the Worst Girl in America." 


Pop


https://abysmalhymns.blogspot.com/2026/03/slayyyter-worst-girl-in-america.html


3-Morrissey -"Make Up Is a Lie." 


Indie- Rock


https://abysmalhymns.blogspot.com/2026/03/morrissey-make-up-is-lie.html


2-The Twilight Sad- It's the Long Goodbye." 


Post-punk


https://abysmalhymns.blogspot.com/2026/02/the-twilight-sad-its-long-goodbye.html


1--Neurosis- "An Undying Love For a Burning World."


Sludge 


https://abysmalhymns.blogspot.com/2026/03/neurosis-undying-love-for-burning-world.html


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Wednesday, March 25, 2026

Starbenders : ' the Beast Goes On"





 On the pop side of glam rock, they do indulge in a more biting dynamic upon occasion, but their strength seems to be leaning into this 80s-drenched sound that marries Pat Benatar and Cyndi Lauper. Music is not created in a vacuum, so the title track that opens the album is darker andd with some Ghost-like aspirations in how it's mixed and the overall vibe to some extent, as it feels like a late 60 hippie-garage for of spooky like Coven or Shocking Blue. Then they rock out harder for "Nothing Ever Changes' which is less hook-focused, so not as effective.

Things begin to find their groove with a touch of anthemic 80s arena rock, heavier on the hairspray than the metal for "Chantilly Boy". They also display a very taunt songwriting hook and let the vocal take on more introspection on "Cold Silver." The beat picks up on 'Forever Mine,' which tries a little too hard. "Hello Goodbye" is more like 90s dream pop. The vocals create more of a backbone. "Tokyo" digs more into the new wave side of the 80s. The chorus works really well, reminding me of the Bangles.

"Saturday" does not veer from the formula they have in place, and it is hard to argue against it as it works here." Summon My Heart" finds her voice taking on a Stevie Nicks-like tremble, which, given a more epic arena setting, is not unlike the 80s era Heart. They nail this sound and have it convincingly dialed in, which is coming from someone who remembers when this sort of thing wa a more dominant force on the airwaves.  Things drop back to the more tense, emotive brand of 80s power ballads on " Somebody Else," that really when this crossed over with the evolution of new wave. 

They end the album with a cover of Bad Religion's "21st Century" , and make the msot of what they do with it even if it is an odd choice. I like what goes down here and think they are talented songwriters who have captured an era intact and make it there own, so I will give this album a 9.5, and see how it grows on me. 



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