3-Genghis Tron- "Signal Fire"
darker shades of metal, hymns of goth and post-punk ...all for the worship of darkness
Monday, June 29, 2026
The Top 10- Rock Albums of 2026... so far
Saturday, February 14, 2026
Hoaxed : "Death Knocks"
This album makes no attempt at draping things in goth window dressing, and we get to see who Hoaxed are: a grunge band. The riffs are more arena-rocking, even when they add tension to a song like "Kill Switch", which at times finds them beginning to drift toward the more straight-up rock n' roll side of grunge. Sonically, they hold a great deal of common ground with the Pretty Reckless, though with more of a penchant for minor ket melodies. At times it casts a somewhat witchy shadow n things when it comes to "Promised to Me ", but this album is nowhere near as dark as the previous one.
I like how they vocal are produced as they have the right amount of effects on them and are not too forward in the mix. There is more melancholy; this is best heard on "The Fallen." They go into a more streamlined commercial approach with "Dead Ringer." If this were the 90s, you might argue that the upbeat "Wretched" was also more radio-friendly. Though it does build into a heavier stomp. There are screamed vocals throughout the album that find themselves echoing out from the edge of the mix, which I am just mentioning here as an attempt to be more metal.
They occupy a similar sonic space as Freeze the Fall when we get deeper into the album, and melodies become a little more ethereal against the hard rock punches. The vocals to the last are a little hookier and work for me. I will go ahead and give this album a 9.5, as they feel more in touch with who they are as a band, which sells me more on the songs. The hookier moments on this album are pretty awesome; it might take some time to grow on me, but fans of anthemic brooding rock from the 90s will dig this.
Monday, October 3, 2022
Gothtober- Hoaxed : "Two Shadows"
This Portland duo creates dark and driving rock that works of mesmerizing melodies. The drumming is influenced by metal, though the overall sound while ominous not broods more than it gets in your face. "the Knowing" finds the drums carrying less thunder than the opener, which is fine since if all drums had the same thunder, it would make the album too uniform, the chorus, has an interesting hook to it. The vocal harmonies are very graceful and their song writing compact. Something about the vibe at times makes me think of older Scorpions. The bass emboldening "For Love" helps vary the dynamics, s they tend to sonically paint the songs with similar colors. This fact is more apparent by the time we get to "Grand Illusions"
The guitar tone shifts, and the creeping palm muted tension helps "High Seas" stand out from the previous songs. The vocal melodies, hover in a similar croon. At times they feel like if Veruca Salt took a turn into a different part of the 90s. I think despite the big drum sound, when they lean into the more hypnotizing drone of songs like "Guilty Ones" they are more in their sweet spot than trying to harder to be heavier than where the vocals are capable of going. The simmering storm of shadows they begin to summon on " Where Good Won't Go". It reminds me of when Metallica ventured away from being a metal band in the late 90s, as there is a smoky grunge feel to it.
The last song feels like their take on "Paint it Black". Though there is more of a retro-metal witchy feel that makes me think of the Devils Blood. The drummer really loves her double bass, which keeps trying to pull the songs in a more metal direction where the atmosphere of the vocals and guitar want to pull it back in a more 90s goth path. I think this tug of war plays to the benefit of their sound. I will give this album a 9.5 and see how it grows on me with time.





.jpg)




