"Nonlocality" is another straight forward double bass charge ahead that smooths into a groovier chug. Sometimes when I am making my end of the year lists , I have to sit down and split hairs with some sub genres to see where this would fall and while it might be death metal that is dark enough for people who like doom this is still death metal Three and half minutes into this song is where they wait to take a turn into doom, so it is not even a fifty fifty split, but I do think it is important to review albums there might be some misconceptions about during a month dedicated to a genre to show what is and what is not well here doom. "Perpetually Altered" stars off at a pace that makes this much clearer. It also feels a little more mired into the aggressive monochromatic feel death metal can default to even with a couple of catchy chugs at hand.
"Entanglement" shows what they are capable of which is the best of many sonic shades. They open the song with creeping atmosphere with an undercurrent of jazz tinged drumming. Then go into a pretty catchy groove oriented death metal riff, with some rough edged blasting littering other corners. I am not opposed to that as lomg as their is something to provide dynamic contrast. The last song does lean more into the doom side of things, but does so in a less creative way than what these guys have show us capable of by just color by number Incantation worship. I will give this a 9 so it is a great album, but perhaps not one of the years greatest even when it comes to death metal, much less the genre as a whole.
This was released on Profound Lore Records.
4.6
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