Things got started really early at the Masquerade. Funny
enough the three level venues had the Insane Clown Posse, playing up stairs as
this show took place on the ground floor. I did not see any Juggaloos, but this
is Atlanta and they can blend in easily with some of the trailer trash outside
the city limits that reminds you Atlanta is in Georgia. It was unlikely that
openers Swedish metallers Tribulation were mistaken for being down with the
clown, despite the little bit of make up they wear. They deftly attack their
instruments in earnest, allowing the songs to breathe a little more than they
do on the albums. At times it feels like they are jamming. Which is fine by me
because if you want to hear a band sound just like the album, then why leave
the house to go look for parking somewhere?
Deafheaven This was my third time seeing Deafheaven. The
first time they blew Alcest off the stage in a small club called the 529.On the
“Sunbather” tour they played a larger club, and were intense, but it was a less
aggressive energy than the first time I saw them. Like any good drug addict, we
often go into shows wanting to have the same feeling we had when we first saw
the band. But they are no longer where they were in fact the set steeped in
their two most recent albums with “Roads to Judah” ignored. Judging from the
crowd that made me feel I might as well have been at a Minus the Bear concert,
lending credence to the line of thought that they make black metal for people
who don’t like black metal.
They did not seem as loud as a metal band should be, while
the high ceiling of concrete box known the “Hell” section of the masquerade
which is often used as more of a dance club, didn’t help, I have seen bands
like Converge and Watain play there and leave me ears ringing. They are more
about clarity and less about the power of volume this time around. For their
encore they came back and played
“Sunbather” and “Dream House”, which were of course crowd pleasers since
they served as the entry point into the band for most. I am not surprised by
the fact the crowd has grown with each show, the cat was out of the bag with
“Sunbather”. I however like “ New Bermuda” for it’s added aggression and more
metallic edge, the only way this came across like was in Clarke’s vocals which carried
more snarl and sometimes dipped into lower growls. His stage presence was not
as in your face at times he looked to be waving his hands like a conductor
while he connected himself to the song’s heartstrings. What Deafheaven is or isn’t can be bickered
out on comment sections as long as the band is in our consciousness. They
played with a great deal of sincerity. The sound they make is who they are. I
am ok with most of the changes I just want them hear them louder next time.
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