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Showing posts with label the top 20 albums of 2025. Show all posts
Showing posts with label the top 20 albums of 2025. Show all posts

Thursday, December 18, 2025

The Top 20 Albums of 2025 (Part Two 10-1)

 


Last year, I expanded what was once the Top 10 Albums of the Year to the Top 20. The Top 10  was limiting, considering there are now 20 best-of-genre lists.  a Top 10 often left off ten albums that captured the top spot for their respective genres.  So we are continuing the countdown here in this second part to the top 10 albums. These are the albums I listened to most. When you take into consideration the fact that I listened to over 900 albums this year, it's impressive for these albums to have endured the influx of new music that hit my inbox every morning and made me want to hear them again and again. Yes, this is the culmination of all the other lists done up to this point for other blogs and was refined down to this master list of all genres.; So here ya go...


10-HAIM- "I quit" 

The Haim sisters came back after five years, which in pop music is an eternity, given how attention spans and trends cycle out. In being generous and taking things like touring into consideration, we can say they had 3 years to follow "Women in Music pt 3" which was a career-defining album, that elevated the band's status. This time the focus was on playing their instruments and busting out guitar solos rather than pop hooks, but they packed a few of those as well. 

https://abysmalhymns.blogspot.com/2025/06/haim-i-quit.html




 

9-Patriarchy -"Manual for Dying." 

The steamiest batch of bumping grinders since the golden years of Lords of Acid, certainly, is enough to give this duo the number one spot. 

https://abysmalhymns.blogspot.com/2023/08/patriarchy-forcefully-rearranged.html




8-Sanguisugabogg -"Hideous Divinity." 

 This is an album I have been looking forward to, so expectations were high. Halfway into the first song, I  heard the needed tweaks I wanted from these guys in terms of production have been made, and it is rocking fucking hard. There is more attention to detail in songwriting as riffs have purpose and are not just shifting into the next heaviest chug possible. Songwriting is storytelling, telling, and the message is coming through with a more mature and perfected vision. Devin still does what he does, though his phrasing is refined and more articulate without sacrificing brutality. 


https://abysmalhymns.blogspot.com/2025/09/sanguisugabogg-hideous-divntiy.html





7- Coroner - "Dissonance Theory."

The band's first album in 32 years. Things are different in many ways, though they do not sound like they are in their 60s. Weirdly, Marquis Marky is not behind the kit, leaving Ron Royce and Tommy Baron as the only original members who feel more pronounced as a trio. Their new drummer, Diego, certainly pulls it all off. This is not them trying to recapture their 80s sound. Nor should they. A big difference lies in how forward Royce's vocals are in the mix, as he used to sit back in the guitars more, certainly having grown more confident in what he does.  You can hear how they influence bands like Meshuggah. This album grew on me with each listen, and it's clear they are more vital now than ever. 


 





6-Heartworms - "Glutton For Punishment."


Why is this album taking the top spot, you ask?  There are organic qualities blended with a chamber-pop sound that brings Dresden Dolls to mind in equal doses as Rasputina .. Helmed by Jojo Orme, this project is mroe organic and capable of rocking out than your average darkwave band, with songs like "Jacked' falling on the more post-punk side of the equation. The guitars are capable of delivering the needed jagged tension. The album spends a great deal of time juggling the more electronic elements against a jangle of guitar that leans left of center into a moodier indie rock. 


 https://abysmalhymns.blogspot.com/2025/10/gothtober-heartworms-glutton-for.html

 

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5-Freeze the Fall - "The Red Garden." 

Big radio rock that hits with an infectious bite. Their anthemic choruses are balanced by the brooding atmosphere that is dark enough to keep me interested, despite the more hopeful mood they build. This young Canadian trio is great songwriters who sometimes find their overall sound following a 90s formula, which proves highly effective as it puts them in the number one spot, beating out veteran acts, so the future clearly holds big things for them. If you have not heard this album yet, do yourself a favor and give it a listen.    


https://abysmalhymns.blogspot.com/2025/05/freeze-fall-red-garden.html



 



4-Taylor Swift- "the Life of a Showgirl" 

At the end of the day, she can whip out songs that sit effortlessly next to the other classics in her discography with no effort. Even Tay Tay dialing it in is better than what most can do with two dozen producers and co-writers. This album grew on me, and makes it clear she is the dominant force in not just pop music, but songwriting. 

https://abysmalhymns.blogspot.com/2025/10/taylor-swift-life-of-showgirl.html



 

3-Hangman's Chair- "Saddiction" 

The modern kings of gloom bring a sonic pounding counterbalanced by the trademark passion of the vocals, and things ebb down into a more depressive introspection as the rollercoaster of the album's dynamic sets in motion. Some interesting production choices in this often reverb-heavy recording are best appreciated when played loudly through headphones. It's a band whose songwriting continues to exceed expectations and put them at the top of the heap, not just when it comes to doom or metal, but all artists making music today. 

https://abysmalhymns.blogspot.com/2025/02/hangmans-chair-saddiction.html

 






2-Spiritbox- "Tsunami Sea." 

It's the band's pop lean that helps separate them from their peers, as Courtney is better at vocal hooks than the singer for Jinger or Infected Rain, who work in similar sonic circles. She has continued to grow as a singer to further distance herself from her peers. Even with the pop hooks in play, the dynamics pack a heavy enough punch to have the metallic impact to take the top spot here. Their drummer has really stepped up on this album as he fills the spaces with interesting playing that they build off of. At the end of the day, it's the top-tier songwriting that wins out.

https://abysmalhymns.blogspot.com/2025/03/spiritbox-tsunami-sea.html







1-Ethel Cain-  "Willoughby Tucker, I'll Always Love You."


Not only the best shoegaze/post-rock album of the year,  the best album of the year. I don't think she set out to make a shoegaze album, which is what makes it so effective; the ethereal atmosphere just organically came about thanks to the hypnotic drones that also incorporate pop and country music into the mix. Unlike Wednesday, who takes a jarring turn between the two genres, on this album, you can't tell where one ends and the other begins as they are woven with such sonic beauty. As stated, these albums are ranked according to how much I actually listened to them, and I listened to this album more than any other this year.  


https://abysmalhymns.blogspot.com/2025/08/ethel-cain-willoughby-tucker-ill-always.html

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Top 20 Albums of 2025 (Part One 20-11)



 Here we go, the second year that I have expanded from a top 10 to a Top 20 albums of the year. This is the first part, counting down from album 20 to 11.  These are the albums I listened to most. When you take into consideration the fact that I listened to over 900 albums this year, it's impressive for these albums to have endured the influx of new music that hit my inbox every morning and made me want to hear them again and again. Yes, this is the culmination of all the other lists done up to this point for other blogs and was refined down to this master list of all genres.; So here ya go...



20-Deadguy-"Near-Death Travel Services." 

30 years after Victory Records hardcore band Deadguy cemented their legendary status with their album "Fixation on Coworker ". The band is not just back to reaffirm their relevance; this album has the benefit of 2025 production value, so it sounds far better than the more metallic guitar sound they debuted with. This makes for an album that is heavier with the guitars, creating a more organic wall of sound. They hit you with a more fully realized onslaught. The vocals did retain their command, which has always been similar to Henry Rollins in their confrontational tone. Coming back stronger is what hardcore is about, and this album is the epitome. 


https://abysmalhymns.blogspot.com/2025/06/deadguy-near-death-travel-services.html



19-Alice Cooper -The Revenge of Alice Cooper." 

The first album with the original Alice Cooper band since "Muscle of Love".  Bob Ezrin is also producing it.  Does it perfectly capture the fire enough that it picks up where they left off on "Muscle of Love"? Almost, it is pretty energetic for a band in their mid-70s who have not played together since the 70s.  not at the level of his most classic work, but way better than other rockers close to his age are doing, it's closer to "Muscle of Love" than it is "Love it to Death" s it's not what I expected, but still congruent with what these guys used to do. 

https://abysmalhymns.blogspot.com/2025/07/alice-cooper-revenge-of-alice-cooper.html






18-Internal Bleeding- "Settle All Scores." 

For this band to have been around since the 90s, they are inspired and were ahead of their time.  Kids now call this Slam, but it's really just hardcore-influenced death metal. It's fair to say these guys are also big fans of Cannibal Corpse. After all, Cannibal Corpse, formed in Buffalo, three years before these guys. This is the first album to feature Sacrafical Slaughter vocalist Steve Worley, who sports a very commanding grunt and gurgle. His lyrics are growled in such a manner that, despite their brutality, you can still make them out. They shift into more traditonal metal riffs that provide enough dynamics to make most metal heads happy. 

https://abysmalhymns.blogspot.com/2025/09/internal-bleeding-settle-all-scores.html

 

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17-Blut Aus Nord - "Ethereal Horizons." 

The French Black Metal band's 16th album shows Blut Aus Nord never makes the same album twice, and they are embracing every side of the genre here while cloaking them all in their signature atmosphere. It is like listening to a smoke machine envelop a band rather than just seeing it on stage. Atmospheric black metal is being pushed in new directions, while the pained moaning of the clean vocals cuts through the thickness of sound, bringing' Mercyful Fate's earliest incarnations of black metal to mind. There is the needed cauldron of blast beats and tremolo-picked guitars needed to identify their blackened intent, but not sounding like everyone else in the process


https://abysmalhymns.blogspot.com/2025/10/blut-aus-nord-ethereal-horizons.html


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16-Scorpion Milk- "Slime of the Times


 Mat Mcnerney from Beastmilk is taking things in a more apocalyptic direction with this album. Joining him is the drummer from the Viagra Boys and Nate Newton from Converge on bass. The elements that differed from what I expected, due to the rough punk edges, grew on me, and it became an album I could just keep playing all afternoon. 


https://abysmalhymns.blogspot.com/2025/08/scorpion-milk-slime-of-times.html




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15-Callous Daoboys - "I Don't Want to See You In Heaven."

 

You are thrown into their bizarre progressive take on metalcore. While the screamed vocals are more dominant, Carson Pace's voice continues to grow. His poppy-sung vocals carry the need hooks to contrast the chaos. If there is any justice in the universe, these guys should be at least as big as Knocked Loose, just on the merits of songwriting.

  

https://abysmalhymns.blogspot.com/2025/05/the-callous-daoboy-i-dont-want-to-see.html






14-Lord Huron- "The Cosmic Selector Vol 1." 

This is the 5th album from this melancholy folk rock band, which employs a reflective atmosphere in its sound that feels honest in its soul-baring introspection. They're playing a more modern take on Americana, as the vocals gain more confidence in their narrative, thanks to the shuffling groove provided by the drums that keep them moving as country influences slide in. Pull out the bong for this album. 

https://abysmalhymns.blogspot.com/2025/07/lord-huron-cosmic-selector-vol-1.html






13-Author & Punisher - "Nocturnal Birding' 
This is the first album that finds guitarist Doug Sabolick joining as a bandmate, which contributes to the more rock feel to things. Every song has a bird theme. There is a more overt industrial crunch to the amazing stomp this album carries . Megan from Couch Slut, lends her voice to the ruckus erupting, with more detailed layers of melody luring you into one of the year's best industrial songs. The addition of guitar offers a big step forward, even if it moves them marginally closer to the conventions of industrial rock. The genre itself allows and fosters experimentation that creates almost an anything-goes attitude. This song and the previous song have been the noisiest so far, with this texture being most effective here.  

https://abysmalhymns.blogspot.com/2025/09/author-punisher-nocturnal-birding.html








12-Viagra Boys - "viagr aboys" 

The Swedish punk band wastes no time making this work them up into more of a frenzy despite the more melodic elements in the chaos that touch on a similar avant-garde pop style as Xiu Xiu.  They keep their hooky sarcasm cracking off lyrical observations in sharp humor that fuels the disco beats and punk sneer alike.   The topics that are subject to their lyrical scorn veer from the news to health care, with some country twang, and recalling some of the alt-rock classics of the '90s. Above all, it's all a non-conforming attitude that keeps this old school punk rock with the emphasis on rock. 

tps://abysmalhymns.blogspot.com/2025/04/viagra-boys-viagr-aboys.html




 

11-Rwake -"The Return of the Magik." 

The Arkansas-based band is back after 13 years. A more melodic expanse of sound brings elements of Southern rock to the forefront of the opening track as guitar solos cascade around it. Brittany Fugate's scathing vocals provide a counterpoint to the lower, ominous vocal tones of Chris Terry. They bring a menacing thunder with metallic riffing, as well as contrast it with really tasteful guitar work. They ripped the hardest when it came to sludge this year. 


 


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