The Top 10 Vocalists of 2015

Often left as the icing on the cake or as an after thought these days , particularly with metal, vocals are what I scrutinize the most and is most often the deal breaker for me. Here we are talking about singing, there are a couple on the list who incorporated screaming in various degrees into what they do , but this list are the singers that went that really poured their hearts and souls into each note.

10-Bruce Dickinson of Iron Maiden

 This is almost more of an honorable mention as there is more strain on his highs which are not as high as well even a "Matter of Life and Death" , but then again being the Trooper , Bruce came back from a bout of cancer that could have made matter's much worse so that combined with taking his age into consideration, Bruce still does better than most.

 9- Lariyah Hayes of Khaotika

Hayes dominates "the Flame Unleashed" with a range that dips down into a urgent alto before soaring up into her more power metal soaring register. She manages to pull off a classic metal vocal without getting mired down in cliches of 80s metal yodeling. Even at her most melodic she doesn't take away from the heaviness of her band and can rough it up with the boys who provide most of the backing growls. Expect big things from her in the future and check out their most recent album if you have yet to give it a spin.
 



 

8- Joy Von Spain of Eye of Nix Joy

Von Spain  can belt out an operatic soprano, but isn't afraid to tighten up her vocal cords and give an anguished scream either. Her vocals set "Moros" ahead of the pack when it comes to bands experimenting with sludge encrusted metal. The dark back drop her band sets behind her compliments her voice and gives her the breathing room to belt it out as needed. Projects like Myrkur which might have gotten more press tried their hand and similar, Von Spain just executed it with a broader emotional range and a more expansive set of pipes.
 

7-Kennedy Ashlyn of Them are Us too

 While Ashlyn's style might wear it's influences on her black sleeves. To pay such homage to Elizabeth Fraser is a feat in and of itself and she nails. You can hear who she is and she doesn't sing in her own made up language so this is not a total hero worship affair. She bends her melodies with fey grace and really made "Remain" an album I keep returning to.
 

6-Ryan Adams

 It was a bold move to cover an entire Taylor Swift album. Up until this point I had respect for Adams and had a curiosity in regards to his stuff ,but the passion he injected into "1989" sealed the deal. He takes pop melodies and puts is heart into them blending a style that mixes Bruce Springsteen with Tom Petty, but much more melodious than either and allowing me to really hear his voice as never before.
 

5- Chelsea Wolfe

 "Abyss" found Wolfe stepping out of the ghostly shadows and baring her voice in a more vulnerable manner than largely shed the effects dripping approach she did so well and showing a lot of growth. Live she was even more impressive, and her praises have already been sung on this site a hundred times over, you are probably shocked that she is ranked higher and while she had the best album of the year , she worked well within the context of the songs and got the job, where the next four singers really caught me by surprise where I saw Wolfe coming a mile away. This is not to say she wasn't awesome after all anyone who made this list really accomplished something considering all the albums I heard this past year.
 

4- George Lewis jr aka Twin Shadow

 Here is where it gets really competitive , "Eclipse" hung tough on my iPod thought out thanks to smooth melodies Lewis had such mastery of . He was often dark yet very soulful and encapsulated everything I could want from a male pop singer as far as dynamics go, despite the fact he largely stays out his head register and I'm a sucker for a good falsetto, but we'll get to that one soon enough. His voice always goes to the perfect places in the song making for something very infectious.
 

3-Emma Beth Rundle - Marriages

 She really came into her own on "Salome" and displayed a more emotive power and greater range. At times she sounds like Tori Amos, but this speaks more to her willingness to cut loose and pour her heart out into the songs, which earned other singers like Ryan Adams a place on this list as well. Emma just managed to make my jaw drop a few more times than most.
 

2- Miny Parsonz of Royal Thunder

Miny  brought it on "Crooked Doors" taking her voice up into places where classic rock gods used to go. She not only flexed her pipes to a greater extent on this album , but really created melodies that stuck in my head and had me listening to this album in binges. She went to some grittier places and also back off and offered some more reserved lines that were just as emotional due to her willingness to get real lyrically and immerse not only herself in the experience , but the listener as well.
 

1- Abęl Makkonen Tesfayeaka aka The Weeknd

 When he preforms at the Grammys this year the secret will be out of the bag. I told you I'm a sucker for falsetto, by Abel comes with a Michael Jackson like tenor, but with more of a gangster lean to it. His music is darker than any soul music has been since Marvin Gaye's "Here My Dear " album, with Abel singing out drug induced antics in a tongue and cheek manner than has a passion to it that makes you wonder where his legend begins and life ends. "Beauty Behind the Madness" is what pop should be.
 

Royal Thunder : "Crooked Doors"

This band continues to evolve from the blues soaked stoner rock, they have put the Black Sabbath albums away and now have become more of an indie rock band that takes on a rough edged hard rock dynamic. On the opener "Time Machine" which the band premiered on Npr,  Parsonz puts some angry husk to her voice when the band begins to climax toward the end of the song. This is followed up by the first song the band released from the album "Forget You" which has a post-grunge  chug typical of  more radio friendly hard-rock bands. In some ways this songs has the ebb and flow of an Alice in Chains song. They have some interesting layers of atmosphere floating behind some of the more meaty riffs. I like the pipe flexing on the refrain of "You better run for your life".

They back off on " Wake Up"  and display matured depth to their song writing. It has a very classic rock feel on what might be the chorus, but Weaver's guitar playing is really what shines on this one. His soloing on this album has a very Jerry Cantrell feel. The blues returns but by way of the British invasion on "Floor". This is a little more upbeat than what I have come to expect from the band. This song clearly displays what a difference the change of drummers has made. It darkens slightly in the solo section and broods there for a bit. The song ends with some really fantastic vocal layering.

" The Line" is another song the band leaked earlier. It is a pretty straight forward rock song, a little more drive to it than the previous song. The song winds into a creeping western riff. "Forgive Me Karma" has a psychedelic ring to it. Parsonz's melody snakes into the guitar line and then relaxes with with the song's lazy bong fueled drift until it's time for her to unlock her inner rock goddess. The song uses restraint to keep it's foot off the monitor.

The bands blues tendencies rears up in a much different way on the rambling "Glow" . The band continues to explore new sounds on  the dizzying riff featured on "Ear on a Fool" that leans toward an almost progressive side. But it's when the band backs off an allows her to really have more room to build melodies that the song excels. Parsonz vocals are no doubt one of the albums strengths , however it's not her caterwauling that's the most impressive it's the more introspective moments like "One Day" that almost holds a power ballad like quality.The harmonized double tracked vocals make this my favorite song on the album.

The album closes with the two-part "the Bear". The first is a mellow affair, that has a torch song theatricality to it. The second part is even more fragile with Miny accompanied by subtle strings and a piano singing with a purer tone . This songs feels like something Jeff Buckley would have done.The band was never fully committed to being a metal band even they they had a fetish for playing with metal bands , but they have taken another step away from metal with this album. This is not a bad thing as the new direction lends it's self to a compelling array of sounds and emotive glimpses into who this band is. I'll round it up to a 9.5 and see how it sits with me for the rest of the year.
10.3