Death is June- Left to Die : "Initium Mortis"

 

Two original Death members, Rick Rozz and Terry Butler, are joined by members of Gruemsome Matty Harvey and Gus Rios, who have been performing in this project as a tribute to their early "Lepersy" and "Spiritual Healing" days of the band, which is my favorite. It is not until the clean guitar leading into "Zombie" that it feels like we are getting to hear something outside of being in the vein of Death, which worked great for the first three songs, but it would have gotten old otherwise if they continued to churn in that direction without bringing anything new. There is more of a traditional metal feel when they go off into "Zombie".

The lyrics to "Witch of Hell" feel more like something Venom would have done, but the vocals have purpose and balance everything out. Not sure if this is the direction CChuck would have gone, but oh well, it works in this context, and perhaps it is how they feel they get their own identity. "Rise of Satan' has a more thrash approach, which makes sense as this music came out of the thrash scene. In fact, in early death metal, the lines between the two were blurred. They continue to pour on the speed for "Summoned to Die," which captures the spirit of this era more effectively. 

"Mantas" takes this in a more Venom-like direction, which shows Venom's influence on the genre. This also shows how the ovcals had more purpose back in the good old days. "Slaughterhouse" benefits from a more memorable chorus than verse, which racing along the typical tremolo-picked death metal riff.. One cool thing about this album is the compact, efficient style of writing songs that gets everything you need done in under three and a half minutes. The last song also chugs into the intersection of where thrash met death metal. Overall, this album does not try to have its own identity as it's clearly a tribute to a specific era, but it works well, and they nailed what they wanted to do. Death fans dying for new music should be appeased. I will give it a 9. It drops on Relapse Records July 19th. 

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