"Bad Wolf" is the most recent single and finds a bass line as the anchoring holding the groove down. It holds a tension not unlike what A Perfect Circle does at times. Most of what I hear as Bauhaus influence comes from the guitar tones, then it is typically on effects, opening tracks like"Self Evident". It's one of the more driving songs so far. This album feels heavier than the last A Perfect Circle album. "Public Stoning" opens in a way that reminds me more of Fugazi.
"The Quiet Parts" is more like an A Perfect Circle, as Maynard is singing in his more ballad-ready, subdued voice. "Mantastic" is not sonically anything new, and really, neither is it lyrically just more heavy-handed. It grooves enough so it works from that angle. "Pendulum" feels more like old Depeche Mode without the vocal hooks. "ImpetuoUs" works better as the vocals flow with the music. "Seven One" feels like an interlude from David Bowie's "Outside" album. The last song is live, but it was released on the new "American Pyscho" soundtrack in 2024, so I will count it as new. It's about typical for what you expect from them. I will give this album a 9.5. It has some great grooves, and obviously, Maynard knows what he is doing, and if you like what he does, it delivers.

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