Tuesday, June 12, 2012

Smashing Pumpkins: Oceania


Well... Smashing Pumpkins isn't metal, but then again neither is Royal Thunder and they were just covered on here, so chalk this one up like the Marilyn Manson review a pacifier from my friends sense of nostalgia. I enjoyed the Pumpkins uptil around 96 or so, dipping back into the drum machine years , is hit or miss, some songs i like other not so mucjh , all of the re-union years have been underwhelming and so far as I am listening to this album their doesn't seem to be alot thats going to buck that trend.
I have always respected Billy Corgan's guitar work and this album is no exception. The song writing seems to in question. The album opener "Quasar" is not bad but it doesn't sound like the pumpkins as if Corgan had a run in with Moron 5 while exploring a more mature vocal style. I can say by the second track "Panopticon" I began to notice a Jeff Buckley influence in some of the phrasing. Though this has not aided this ability to write melodies as they range in level of embrassment. Some of these melodies Crogan should re-think marketing them as childrens songs.
By the time the song "Pin-wheels" rolls around I am wishing I could un-hear some of this though this song takes the prize for Fisher Price plastic Muzak. If not for illegal downloading, people might be wasting their hard-earned money in this eccnomy.
The title track sound like a left over from a sequel to the Crow and thats a good thing. the it floats away in a wash of synths even, Katy Perry's more tender moments boasts a bigger pair of balls. The disjointed guitar solo at the end can't even save it.
I found myself in disbelief hoping the album would some how pull it together , but the song writing gets so lazy even the well recorded sounds make this something on par with post-Kilroy was here Styx or "Ambominog" era Uriah Heap though that would imply there is actuall rock going on in the albums later portions,then hope began to fade into counting the mintues until I could delete this from my hard-drive. Literally o.k 4 songs to go I can make it through this . "Chimera" starts with a hopeful guitar riff but like the rest of this album fails half way into the verse and is followed up by a chorus so bland i'm not sure how this made it place management and label, which goes to show you how out of touch the record indursty is and after listening to this I can only hope for the dying breath of corporate rock.
"Glissandra" raises the hope again until you get to a chorus that never find the muscle to break out into any kind of dynamics.

the albums gets a generous 2 if you find youself liking more than 3 songs this album please delete me from any form of social media as you are part of the problem, if you love it suicide is an option you might want to consider and something Billy Corgan might want to consider if he refuses in 2012 to get honert with himself and come out of the closet and make childrens musicals.

Honest I did not imagine this album would be this bad when I started .

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