10-Deadform - "Entrenched In Hell"
This is the first full-length from this Oakland-based crust trio which features Dino Sommese from Dystopia on drums as well as sharing vocal duties with Brian Clouse from Stormcrow, who is also playing bass in this project. The furious sounds unleashed on this album highlight the things I love about the Crust genre. It's heavy, yet grooving in its pummeling. There is also a dark apocalyptic mood churning from the songs. The tones coming from their blown-out amps are burly enough to belong to a sludge band, but they are played with more of a punk attitude.
https://abysmalhymns.blogspot.com/2024/09/deadform-entrenched-in-hell.html
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9-Maul- "In the Jaws of Bereavement"
This album clicked for me right away as it packs a powerful punch, yet does not shy from guitar melodies to show they care about writing songs. North Dakota is not where I would expect this to come from but here we are. There is no shortage of head-banging grooves. This album makes a strong argument for having the bass prominent in the mix when it comes to death metal. There are some technical thrashing riffs, that are balanced out by locking into chugs to bring a more deliberate attack that plays to their strengths.
https://abysmalhymns.blogspot.com/2024/09/maul-in-jaws-of-bereavement.html
8-Witnesses - "Joy"
Despite my preference for Kody Ternes as the vocalist, things changed, and Bibby from Seventh Angel is handling the vocals this time around. He is more of a metal singer than Ternes, he does make melodic choices that think outside of the power metal box, some doom singers lean toward. His voice grew on me. Not as dark as some of their previous work the album deals more with self -actualization. There is a highly emotive nature they invoke with the atmosphere. It is one of Greg Schwan's strengths as a songwriter. Things are very dynamic, with the vocals soaring above it all. They once again excelled, and if you are a doom fan who enjoys melody then this album is a must. This band is onto something and it is one of the more original expressions of doom I have heard in a minute.
https://abysmalhymns.blogspot.com/2024/11/november-is-doom-witnesses-joy.html
7-Crypt Sermon- "The Stygian Rose"
Taking their 80s-flavored metal down its darker grittier path, not unlike Savatage or Metal Church, the songs benefit from more vocal colors going on this time around. The riffing carries more thrash, as they hit their stride as songwriters. There are lots of tasteful guitar solos that relentlessly hit you with killer riffs. This album finds them coming into their own, and standing shoulder to shoulder with the albums these songs draw inspiration from.
https://abysmalhymns.blogspot.com/2024/07/crypt-sermon-stygian-rose.html
6-Full of Hell-"Coagulated Bliss"
This album grew on me more than any other this year, partly due to catching these guys live where it all clicked. It's also a huge step of maturity in songwriting. From a production standpoint, it's more organic. They were not darker, but more punk than the sludge-tinged gnarliness that comprised their guitar tone on other albums. The guitarist claims that he learned how to serve the song during their sessions for the album with Nothing. Things here reflect that due to the fact it is angular and mathy, but not spastic. The vocals are more deliberate as well.
https://abysmalhymns.blogspot.com/2024/04/full-of-hell-coagulated-bliss.html
5-Death Killer -"Total Destruction of the Entire Universe"
Here is the kind of industrial album I was waiting for. It is both pissed and heavy as hell with a fair dose of chaos in its veins. There is a great balance of instrumentation and programming/ electronic elements. It is not industrial music to dance to it is industrial music that is going to kick your face. Not unlike Ministry's "Filth Pig" album in that regard though this is heavier. It blasts at you like a jackhammer, as it sonically fucks your brains out right from the first song
https://abysmalhymns.blogspot.com/2024/10/gothtober-death-killer.html
4-Nails - "Every Bridge Burning"
It's been 8 years since the last album from this California-based hard-core band. They are just as angry as they were on "You Will Never Be One of Us". The grind-core influence on the band has them spitting out minute-and-a-half songs that are propelled by an unrelenting momentum. The faster moments that create a frenzied wall of sound are balanced out by the intentional songwriting masterstrokes delivered here, and find this album to be worth the wait and put the band on the top of the heap.
https://abysmalhymns.blogspot.com/2024/09/nails-every-bridge-burning.html
3- Weston Super Maim- "See You Tomorrow Baby"
This band is out to crush you with their industrial-strength metal, possessed by chaotic outbursts of jarring mathematics like a grind-core version of Meshuggah. This album proves you can go to the extremes of heaviness while still having a huge sound. At times electronic sounds enter the fray. Impressive guitar work does not hinder the sheer weight this album hits you with while writing memorable songs.
https://abysmalhymns.blogspot.com/2024/08/weston-super-maim-see-you-tomorrow-baby.html
2-200 Stab Wounds - "Manual Manic Procedures"
Less than a year after the previous release, the guys have worked hard to perfect their craft, as this is more nuanced and dynamic songwriting. My only complaint about the first album was that it was so straightforward that there was little to separate it from veterans like Cannibal Corpses. Now they are really bringing it hard this time around. They give the oppressive pounding. Plenty of syncopated punches and little nuances make it clear that this operation is meticulous. Perfect blend of creepy melodic parts, and aggressive hooky riffs.
https://abysmalhymns.blogspot.com/2024/06/death-is-june-200-stab-wounds-manual.html
1-Glassing-"From the Other Side of the Mirror"
This band has a history of ruling, and it's not stopping. This album was darker and more melodic, giving me more of what I wanted from them. At times, the screamed vocals offset what might otherwise be creepy bass-driven shoegaze. They get feral and deface your eardrums with their tangible sense of anguish. Though none of this is contrived or thought out from a marketing perspective by a record label this is just where they are, perhaps even angrier than the previous album though there is a wide range of emotional colors being used here making them the best metal album of the year with the inner apocalypse they project outwardly
https://abysmalhymns.blogspot.com/2024/04/glassing-from-other-side-of-mirror.html
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