I like the more metallic riff that leads into "Snake Key". This creates a perhaps unintentional death rock feel. There is a serpentine swagger to the song that works well, while embracing the weird grunge vibes. Things got weird like this going into the 90s so I support it. Along with the odd bounce of the verses. "My Riddle Finger" has interesting lyrics to accompany it's menagerie of odd sounds. The album ends with a more reflective brooding . "Too Far to See" finds trippy elements , taking this in a more spacey direction than anything you might think of as goth, leaving bands like Legendary Pink Dots or Psychic TV as the only drugged out weirdos who are sharing this side of the sonic spectrum with him.
I am leaving this album with a good feeling about his work here. I would like to hear this songs re-recorded with a producer at the helm giving them the scope of sound they are asking for, but in this incarnation as presented here, it still works, I just hear what these songs could be. At times I hear this louder than others. The mix is funny, in terms of where the vocals sits. I think his voice is interesting and I would like to hear these vocals inflections sit on the music with more nuanced resonance. But with that said he is a great song writer who is making dark adjacent music in a manner that is original so I applaud him for it and give this album a 9.
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