darker shades of metal, hymns of goth and post-punk ...all for the worship of darkness
Wednesday, April 26, 2017
Night Sins : "Dancing Chrome"
The first thing that hits me about the Philly act's new album is the depth and maturity. By the second song it's apparent there is more of an electronic thing going on here. It's less Sisters of Mercy then their previous releases though the vocals are still uttered from a coffin. There is more of a new wave synth sound at the beginning of the title track which darkens considerably when the vocals come in. The low baritone croak is mixed back behind the synths.Some of these tones are brighter than what you might expect from them leaving the vocals to keep things creepy. All the songs are within range of the three minute mark.
They do find a more organic sound with reverb ringing guitars on "Enamored and Nailed Shut". The vocals seem to be sinking back further with each song. There are some punchy accents in place that help give this more balls than your average dark wave band.I didn't even notice the guitar solo in this song until the second listen. There is a harsher noise tone to the beginning of "Schizoid Ice" which is more of an interlude than a song. "Daisy Chain" has more of an old Depeche Mode feel, think 'Black Celebration". "Spire and Ecstasy" dips back into a sound that you might find more typical of this band, a cavernous cold wave. There is a upbeat tone to "Heaven's Eyes" the only problem is the vocals are once again buried.
This album has the most experimental edge to it.It really begins to grow on me with repeat listens and will not disappoint any one who is already into them though they stick pretty true to who they are up to this point so I don't see it really wining over a larger audience either. I will round it up to a 9. My only complaint is the production and how I would like more clarity from the vocals.But aside from that the third time is the charm for this Philly based band
No comments:
Post a Comment