darker shades of metal, hymns of goth and post-punk ...all for the worship of darkness
Sunday, June 26, 2016
Kayo Dot : "Plastic House On Base of Sky"
You can fool some of the people some of the time. It never fails to surprise how many members of the music press have very limited knowledge of music. When you hear an album that i totally derivative of another band and you not able to put your finger on it when it is glaringly apparent then there is a problem.The culprit here is Metal Sucks. For these guys to not recognize how the new Kayo Dot is pretty much a tribute to early Roxy Music is ridiculous. These purveyors of click bait are more concerned with being trolls and social justice warriors, than to recognize the obvious. Kayo Dot does try to obscure this fact by creating chaotic Brian Eno like waves of synths. But Eno played with Roxy Music so we are in the same ball park, the first song that has an originality to it is "Magnetism". It takes some 80s synth sounds and makes a more aggressive form of kraut rock.
Their singer still tries to imitate Bryan Ferry. The guitar tone on this album isn't bad it just sits a little too far back in the mix. They continue to coast along with disjointed atmosphere keeping these songs from congealing and varied synth pulses just swirling around without making contact. It begins to try to rock a little by the end of the song, but gets bogged down in the synths. The albums goes back to wanting to pay homage to Roxy Music on "Brittle Urchin", which closes out the album. This band is known for being experimental and has changed with every album. This is a turn for the worse here. The song writing and heaviness are gone. They don't have to have the metal elements to be a good band, there previous album was dark. This is just a scrambled mess that never really goes any where. I'll give it a 5. I like Roxy Music , but I'll just go listen to them when I am in the mood. This was just released on the Flenser.
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